The four piece came together in 1995 when, using a 4-track tape recorder, singer-songwriter and guitarist Kristopher Roe, and guitarist Jasin Thomason, would write and record demos with a drum machine whilst searching for a full-time drummer.
The band’s big break came in 1996 when Roe and Thomason attended a show to see the band The Vandals, who owned their own label “Kung Fu Records. Thomason gave a tape to Joe Escalante, a bassist from the band. The Ataris were later signed to the record label and eventually found drummer Derrick Plourde. Fast-forward a couple of months to April 29th 1997, when The Ataris released their debut album “Anywhere but Here” which only took a week to record. The band relocated to Santa Barbara, California. The band had to undergo some line up changes in this transition period, but their popularity started to bloom.
In 2002 saw the Ataris new album “So Long, Astoria” start to take shape. Their contract with Kung Fu Records had expired but they had the attention of Columbia Records to decided to sign with them. This album catered to a much more mainstream audience and generated successful singles such as “In This Diary” and “The Saddest Song”. The album also featured their cover of Don Henley’s “the Boys of Summer” which became their “accidental” second single after a radio station, KROQ in Los Angeles started playing it. However, it is the band’s highest charting single to date, reaching No. 20 on the Billboard Hot 100. The album sold over 700,000 units in total and was certified Gold.
The band has remained a band to this day but it is very much the brainchild of Roe, with him being the driving force behind the band and the original member. In 2013, The Ataris began a North American tour with Kris Roe and the former members John Collura, Mike Davenport and Chris Knapp to celebrate the 10 years of their most successful album, “So Long, Astoria”.
As a pivotal band in late nineties pop-punk it’s no surprise that The Ataris stir a bit of nostalgia for the fans who have grown up listening to them in their teenage years. With five albums worth of material, you’re bound to hear one of your favourites live. From the offset energy levels are through the roof, as the band hook the crowd with some of their classics like “Take Off and Landings” and “So Long, Astoria” taken from the album with same title, which really catapulted them into the mainstream. Even after all those years of relentlessly touring, The Ataris seem to have not lost the enthusiasm and in fact with age their performances just keep getting better with Kris Roe’s weathered, gravelly vocals mastered to perfection. Their audiences see a good mixture of old and new fans who share the same undying passion, each song is met with rapturous applause. Even in the moments of long instrumental where the band go into their own as they get lost in the rhythm, they take the audience with them as they are both moved and mesmerised. Aptly coming back for an encore with “Looking Back on Today” the fans sing back almost twice as loud, while the band beam from ear to ear. Whether or not you grew up listening to them, after seeing The Ataris they will be one of your favourite live bands.