Para fãs de: Hip-Hop, Eletrônico, Funk & Soul, e Pop.
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It's safe to say that Mark Knight is something of a prodigy in the world of electronica. At the age of 13 he was making his first forays into DJing, playing a regular slot at The Source, a local joint in his native Maidstone years before he'd ever be able to get in without the aid of fake I.D. Thanks to the success of those slots he was tapped by Ministry of Sound to be one of their residents in 2003, the same year that he and his brother Stuart hunkered down in their parents' tool shed and began work on what would later become Toolroom Records. Over the next decade, Knight and his label became massively respected for their celebrated versions of classic productions, most notably his 2008 version of Laurent Garnier's “Man With The Red Face”.
Thanks to his collaborations with icons like Faithless and Underworld, The Black Eyed Peas contacted him to work on their 2010 record “The END”, which was a multi-platinum hit and netted Knight his first ever Grammy nominations for Album Of The Year and Best Pop Vocal Album. Since then, he has remained one of the electronica world's most in demand producers and remixers, working with everyone from Calvin Harris to Tiesto along the way. He's also responsible for the first breaks of many an up and coming producer thanks to his continued work in Toolroom, and since he's cultivated the kind of career that people would kill for before he's even reached 30 years old, Mark Knight's still got the world at his feet, and his best days ahead of him. Highly recommended.
Excellent as always! Never lets the fans down with what they want. Incorporated a person on drums and a person on saxophone throughout half the set was amazing. Definitely recommend going to see him wherever you are he usually goes all around the world constantly on tour
Joey Negro is just one of a host of pseudonyms that have been employed by the British recording artist David Lee down the years; as a DJ and producer, Lee has also been known, depending on who you ask, as Jakatta, Doug Willis, Raven Maize and Sessomatto, and your guess is quite frankly as good as mine as to why he can’t just stick with the one. Either way, he’s enjoyed a career that’s been successful mainly because of his uncanny ability to spot trends coming a mile off; consider, for instance, the fact that his success in the nineties came mainly as a remixer, where he offered his own spin on tracks by the likes of Pet Shop Boys, M People and Diana Ross, and that more recently, with the EDM craze well and truly igniting once more, he’s been back at the forefront of that particular movement, playing high-energy sets across the UK on a regular basis and focusing most recently, in recorded terms, on the brand of house that he’s made his own in Britain over the course of his colourful career to date. He’s a regular fixture at major club events across the country, so it shouldn’t be long before an opportunity to witness what’s made him a British cult hero is made available to you.