Para fãs de: Metal.
genre_page_link
Their name is derived from the 1947 unsolved murder of Elizabeth Short, often referred to as Black Dahlia, one of the most prolific crimes of the 20th century. This seems to match the melodic death metal that the boys create which is inspired by groups such as Judas Priest, At the Gates, Darkane, Metallica, Darkthrone, Morbid Angel, The Haunted and Iron Maiden. The quintet met in 2000 and cemented the line up of TBDM by January 2001. The group released their demo 'What a Horrible Night to Have a Curse' along with a four-track EP, 'A Cold-Blooded Epitaph', the latter of which the group released on Lovelost Records. After playing high profile slots at the likes of Milwaukee Metal Fest, The Black Dahlia Murder signed to Metal Blade Records in 2003.
It took the band a while to gain the commercial recognition to match the cult following they were receiving whilst touring around the States. Their debut album 'Unhallowed' which was engineered by the Walls of Jericho's Mike Hasty failed to chart in the US. However the follow-up 'Miasma' made it into the Billboard top 200 and sat at #5 on the US indie charts which was a huge improvement and was met positively by critics.
The next release 'Nocturnal' broke into the US top 100 which was a huge success for the death metal group, they announced they would be touring the US with Cannibal Corpse to promote their new album Nocturnal and celebrate the 25th anniversary of Metal Blade Records, they invited fellow record mates The Red Chord, Aeon, The Absence, and Goatwhore along too. The next three releases all continued the successes of this release, with the 2011 LP 'Ritual' remaining the bands highest peak at #31 in the US. Despite several line up changes, the band's sound has remained a solid constant and they have toured tirelessly, playing prolific events including Hevy Festival, Vans' Warped Tour and Mayhem Festival.
The offshoot of punk known as deathcore is perhaps considered the most applicable genre tag when it comes to trying to actually categorize The Acacia Strain, but in truth, their sound is a blend of different styles - death metal and doom metal are both prevalent, as are hardcore, punk and noise rock. Their three-guitar lineup is key to the brutality of their sound, and they’ve also often relied on unsettling sampling to create sonic atmosphere. Bennett is now the only original member left in the band; drummer Kevin Boutot only joined in 2005, with bassist Jack Strong joining him in the rhythm section a year later. Dave Shidaker and Richard Gomez have handled guitar duties since 2013.
Bennett is the key figure in the band, with his aggressive onstage attitude something that’s mirrored by his nihilistic - and often misanthropic - lyricism. There’s no question, either, that Bennett has courted controversy by exploring themes of misogyny, violence and sexual deviancy in The Acacia Strain’s music; for some, though, this darkness is key to their appeal. They’ve increasingly made inroads on the American charts, with 2014‘s ‘Coma Witch’ reaching number thirty-one on the Billboard rundown in their homeland, despite the fact that their music is hardly striking as being especially commercial.
The Black Dahlia Murder, a death metal five-piece from Michigan, have been going for about 13 years now, undergoing a few personnel changes along the way. Not being a person who follows the death metal scene too closely, some friends of mine who are more knowledgeable in the subject mentioned to me that TBDM got a lot of flack from the more purist metalheads round about the time they were starting out, and were dismissed as simply following the current trends. Watching their show at Bloodstock, Derbyshire, a few years back, was really refreshing (I say this as an outsider to the death metal scene). A topless Trevor Strnad bounds around the stage, sweating, showing his pasty, portly and tattooed torso, yelling out encouragement to the crowd before ripping into ‘I Will Return’ with his scorched-earth growl, which made my hairs stand on end. Shannon Lucas, the then drummer, is a machine - he almost sounds programmed, but there’s a blistering intensity to his playing, as well as actually being quite melodic and supportive of the onslaught of riffs played by Ryan Knight and Brian Eschbach. The crowd moshed like crazy. Very intense, very liberating, it made me glad to see the metal scene is alive and well.
The Acacia Strain is a deathcore band from Chicopee Massachusetts. They're music is unrelentingly heavy and aggressive, to the point of genuinely striking fear in your heart (and in particular if you're not a really a death metal fan to begin with), but also to the point of not really being sustainable as a main headline slot - I don't mean this as a bad thing, it's actually reassuring on some level to see them as part of a larger bill with other bands, to remind you that there is other music that isn't an all-swallowing black hole of death metal. But I mean this as a compliment, and I think The Acacia Strain would probably take it as one too. They are definitely like a punch in the gut when you see them live, and Vincent Bennett's gutural vocals are really compelling in their power and the sheer sound they make. In between songs he mutters things such as "don't hate yourself, hate everybody else", and "there's too much positivity going on in music today". And then there's the crowd. I've not been to many death metal shows, but I've never quite seen anything like it, it was like full-on rioting, with punches flying, and a mosh pit that wasn't so much a 'pit' (there wasn't anyone standing still round the edges) as just all out chaos. If you're not a death metal fan but just love going to see live music, you'd be in for quite an experience going to see The Acacia Strain. Not for the faint hearted though!