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Formed in 1976 while members were still studying together at Woodberry Down Comprehensive School in North London, Bad Manners became one of the notable ska revival bands of the ‘80s. Frontman and vocalist Buster Bloodvessel, born Douglas Trendle, joined Louis Cook on guitar, David Farren on bass, Martin Stewart on keyboard, Brain Tutti on drums, Gus Herman on trumpet, Chris Kane on saxophone, and Andrew Marson on saxophone.
Drawing inspiration from late seventies ska bands including The Specials, Bad Manners soon became a notorious act known for their novel antics and frontman Bloodvessel’s long tongue and shaved head, and who ended up getting the band banned from the UK’s Top of the Pops. In 1980 the Bad Manners signed to Magnet Records and made appearances on the TV shows “Tiswas”, “The British Music Awards” in 1981 and “Cheggers Plays Pop”.
Despite being associated with the 2 Tone movement, the band never actually signed to 2 Tone Records, although were one of six bands to feature on the legendary documentary film “Dance Craze” in 1981. The bands first three albums have all been certified silver, 1980’s “Ska ’n’ B” and “Loonee Tunes!”, and “Gosh It’s… Bad Manners” in 1981. The latter of which proved to be the band’s most popular release reaching No. 18 in the UK album chart. Following the release of their fourth album “Forging Ahead” in 1982, Bad Manners departed from Magnet Records and moved to Portrait records through which they released their 1985 album “Mental Notes”. Following the release as they did with their previous albums, Bad Manners toured continuously around the world however, due to falling sales and acclaim, decided to disband in 1987.
Bad Manners returned and subsequently released “Return of the Ugly” in 1989, “Fat Sound” in 1992, “Heavy Petting” in 1997 and “Stupidity” in 2003. Along with album releases the band has released a stack of singles, of which notable hits include “My Girl Lollipop”, “Lip Up Fatty”, “Can Can” and “Special Brew”.
The original lineup of The Beat were together for just five years, splitting in 1984 after meeting with both critical and commercial success with their blend of ska, reggae and 2 tone. In that time, they toured with some of the biggest musical names on the planet, including R.E.M., The Specials, David Bowie, Talking Heads, The Clash and The Police. Since the breakup, they’ve performed together just once - in 2003 at London’s Royal Festival Hall. VH1’s Bands Reunited television show tried, unsuccessfully, to make the reunion a permanently going concern, but instead, the two singers from the original band - Dave Wakeling and Ranking Roger - have fronted their own versions of the group.
Wakeling is the singer in The English Beat, who have continued to tour and record. They contributed a couple of brand new songs to a Scooby-Doo cartoon in 2013, and announced plans in 2014 for a new album the following year, set to be titled For Crying Out Loud. It is set to be paid for via crowdfunding - in particular, PledgeMusic - and will be their first proper release since summer 2012, when they dropped a box set titled The Complete Beat. Rhythm Epkins, Matt Morrish, Kevin Lum and Larry Young round out the current lineup of The English Beat.
The beginnings of The Selecter arose in 1977, when Neol Davies, John Bradbury and Barry Jones recorded what would become “Kingston Affair” whilst in session. They then decided to form a band, becoming “The Selecter,” with this first track being featured on the b-side to the Specials’ single “Gangsters.” Neol Davies (guitar) then recruited Desmond Brown (hammond organ), Charley Anderson (bass), Compton Amanor (guitar), Arthur ‘Gaps’ Hendrickson (vocals), Charley ‘H’ Bembridge (drums) and finally vocalist Pauline Black, completing the lineup in 1979.
The band went straight into the studio, recording and releasing a string of singles, “On My Radio,” “Three Minute Hero” and “Missing Words’ before the end of the year. Their debut album, “Too Much Pressure” was released in February 1980, by 2 Tone Records and Chrysalis Records. The album was a success, peaking at number five in the UK charts. Their second release, “Celebrate the Bullet,” came out a year later. However it did not achieve the same success and the band crumbled apart.
The band split in 1982, with Black pursuing a career in theatre, TV and film as well as music. However, this was not to be the end of The Selector, as Davies and Black reunited in 1991, continuing to tour and perform live, supporting No Doubt on their North American tour in 1997. Throughout the 90s and 2000s, varying lineups under the guise of The Selecter released albums intermittently, led by front woman Pauline Black. In 2010, Black and Hendrickson again played under the name of The Selecter, celebrating the 30th anniversary of their debut album. In celebration, they performed the whole album in its entirety. In 2014, The Selecter was again mobilized for a show at the Cathedral Quarter Arts Festival in Belfast, Northern Ireland. Subsequently, they embarked on an extensive tour of the UK, Europe, New Zealand and Australia.
Ska music is always great and lots of fun, but live Ska music takes it to a whole different level. Long time Ska band, Bad Manners is the perfect example of this fact. Led by Buster Bloodvessel, the 13-piece band has everything from live horns to all types of saxophones, and the liveliest amount of energy possible.
From start to finish, the show is full of almost obnoxious amounts of energy. As soon as the saxophone riff starts the crowd, as well as the band, start dancing, and its non-stop until the end. Literally everyone in the venue is having tons of fun, even if you are the most terrible dancer there. The music that they make together blends so well, but each instrumentalist maintains a bit of their own personality (ie, a blue trombone). There is an obvious chemistry between all of them, and you can tell that their happy place is when they are just jamming together. On top of that, their fans are so respectful and loving of their band, and music genre. It does not necessarily appeal to a very large group, but those that do attend the shows are “give it your all” dancers and singers.
Ellinoinsta
Simply put, to see The English Beat live is to experience profound happiness from the top of your pork pie hat to the tips of your checkered shoes!
From the moment Dave Wakeling and the rest of this legendary 2 Tone ska band take the stage, the dancing (“skanking!”) begins. Songs like “Save it for Later” are well-known classics but you may be surprised at just how many of their upbeat, saxophone-infused songs you’ll recognize.
Playing at smaller venues, Dave engages the audience between songs with funny stories of life in his hometown of Birmingham, England, and other witty commentary. They usually play a long set – upwards of two hours. And afterwards it’s not unusual for Dave and the band to shake hands & pose for pictures with their fans that crowd the front of the stage.
My love affair with The English Beat began in 1980 when they first toured the U.S. I went to see headliner, The Pretenders, but left the concert completely in love with the opening act, The English Beat. And you’ll fall in love, too, when you see them.
nmorlock
Birmingham was always known during the 80s for having an influx of ska and reggae artists including UB40, The Specials and Madness all breaking out from the scene. A little further north in the city of Coventry, The Selecter were crafting their own brand of two-tone ska which included a huge amount of instrumentalists and musicians.
Headed up by Pauline Black, the band has gone through a number of lineups and session musicians and even a couple of hiatuses yet fortunately for the fans everything seems relatively calm at the moment. Much to their delight, everybody onstage is solely focused on the great music and recreate it to a brilliant standard. You imagine you could record one of these performances and release it straight on vinyl and very few people would notice it had not been mixed and mastered. The good vibes continue as the group runs through 80s favourites including 'The Whisper' and 'On the Radio' before a crescendo in the form of 'Too Much Pressure' ends the night perfectly.
sean-ward
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