Pour les fans de Rock, Indé et Alternatif, et Pop.
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Big Country’s first commercial success came in the form of “Harvest Home” which was released in 1982 and made the UK Singles chart, sitting at 91. They later released “Field of Fire (400 Miles)” in February 1983, which made it to number 10, and even 52 on the Billboard Hot 100 Chart. Despite not matching the number 10 spot of the previous single, “In a Big Country” which was released in May 1983, became one of the trademark songs of the band for years to come. The album that these songs featured on, “The Crossing”, released on July 15th 1983, shot up the chart to number 3 in the UK Albums Chart. It also made the Top 20 of 5 other countries. The album was later certified Platinum.
“Steeltown” was the band’s next release, on October 1st 1984. It made it to number 1 in the UK and was later certified Gold. It featured the singles “East of Eden” and “Where the Rose is Sown”. In 1984, the band featured on the Band Aid charity single “Do They Know It’s Christmas?” The leading single from the band’s next album “Look Away” made it to number 7 in the UK Singles chart, and the album “The Seer” released in July 1986 made it to number 2 in the UK, and charted internationally. Kate Bush even added backing vocals to the title track.
In the 1990s the band unfortunately lost a lot of their commercial success with the release of the album “No Place Like Home” reaching 28, being released in September 1991. They still managed to maintain support slots on tours with the Rolling Stones and The Who. Around this time, there was a lot of concern for singer, Stuart Adamson’s mental and emotional health who struggled with alcoholism for many years, which ultimately led to his death in December 2001.
In 2007, to commemorate 25 years of Big Country the remaining founding members, toured the UK, on the back of releasing an album called “Twenty Five Live”. They made a comeback on April 8th 2013 with an album called “The Journey” which reached number 68 in the UK Albums Chart.
After signing a record deal with Virgin Records, China Crisis released their debut album “Difficult Shapes & Passive Rhythms, Some People Think It’s Fun to Entertain” in December 1982. The album shot up the UK Albums charts to number 21 and was later certified Silver. Their career thereafter would go on to grow exponentially, with their sophomore efforts “Working with Fire and Steel – Possible Pop Songs” going to number 20 in the UK Charts and being certified Gold. “Wishful Thinking” was the biggest song from the album, managing to secure a place at number 9 in the UK charts.
It was “Flaunt the Imperfection” that was released in 1985 that catapulted the band to new levels of success making it to number 9 in the UK Albums charts. The album featured singles such as “Black Man Ray” which went to number 14 in the UK Chart and “King in a Catholic Style” which went to number 19 in the UK.
China Crisis followed their previous success by working with producers Clive Langer and Alan Winstanley, on their album “What Price Paradise” which was later released in 1986. The album featured the song “Arizona Sky” which was the first single release from the band. It was the song “Best Kept Secret” that went to number 36 in the UK Singles Chart. Their following album “Diary of a Hollow Horse” released in 1989 was the fifth studio album by the band, unfortunately, it didn’t match the commercial success of previous records, but it still managed to achieve number 58 in the UK Albums Chart.
The band made a comeback in the 2000s with many national tours of the UK, including one in 2013.
"We were the first band to make mullets cool" proclaims David Fenton, lead singer (and fully-trained lawyer) of unashamedly 80s band, The Vapors. Given the deluge of Surrey-based bands, you’d be forgiven (if you were born after 1980) for thinking that Guildford wasn’t the most Rock-n-Roll of provincial, quintessentially English towns. And you’d be right. But as is very much in vogue at the moment, another reunion tour arrives, and this time it’s the band known perhaps most for their politically incorrect and rather dated single - "Turning Japanese." This is the highlight from the set, which features all the hits across their two studio albums ‘New Clear Days’ and ‘Magnets’ mainly targeted at those nostalgic baby boomers who pogo’d and danced flamboyantly in a more innocent time – when mullets WERE cool and TV Presenters were not just sexual predators. I’d like to say I enjoyed myself, but it all seemed a bit like a desperate tribute band of The Jam who had forgotten their set list. Some minor politically motivated speeches aside, I’m not sure it should be carte blanche for any 80s act to reunite uncontested – unfortunately The Vapors seemed to have fallen through the cracks.
I saw the great Scottish rock band Big Country on their tour in 2011. They had many of the original members and I have been a big fans since my dad played me their album The Crossing. That was their big break out album in the United States and included the brilliantly produce smash hit “In a Big Country” which has been a radio standard since.
The band showed their age a little bit but they still had a ton of energy. The crowd was also pretty old butt they were all thrilled to see the band play. They did not play a very long set, but it was packed full of all their hits and actually some new songs. They did tell everyone they were working on a new album that might come out in several years. Those songs were really pretty good.
They closed with “In a Big Country” and the crowd sang along every time the chorus came on. They also were able to mimic the bagpipe sounds of the original recording on their guitars they had. It really did sound like the album and record. They did an encore of a cover song. Everyone left in a good mood, probably thinking about the 1980’s.
I had the most beautiful concert experience I can remember while watching China Crisis live for the first time. The beauty in what China Crisis does in their simple precision. They simply write beautiful lyrics and have a knack for coming up with catchy elegant pop music to back it up.
The stage setup was sparse, intentionally, so we as the crowd would focus on the individuals playing the music on stage. The focus at the concert was on the music, not on the theatrics of the actual performers. It was very entrancing, the effect in the darkened theater was akin to having a private performance for each member of the audience.
The music itself was so uplifting and poppy that I instantly fell in love with it. It was pure ear candy. "Wishful Thinking" was a particularly engrossing, you could tell that the band had a real affection for that particular song the way to put their hearts and soul into the performance.
After the initial performance these guys came out for not one but two encores - that's home much they appreciate their fans! Great show, highly recommended that you check them out if they come to an area near you!
Outstanding concert, must see band. Played for 3 hours, non stop hits mixed with scouce humour. Not phased by muppets trying unsuccessfully to get on the stage, or my wife who did (by invite of Ian Mcnabb). Hope to see them again.