Super Furry Animals et Wider Than Pictures

Prior to the formation of Super Furry Animals all members had developed their talents and interests in other Welsh bands with no identifiable genre connection. Notably, lead vocalist and guitarist Gruff Rhys had played in a jangle pop band named Emily and a noise rock band entitled Ffa Coffi Pawb and alongside lead guitarist Huw Buford, bassist Guto Pryce, keyboard and synth player Cian Ciárán, and drummer Dafydd Leuan, founded Super Furry Animals. A techno group from the offset, the band soon adopted neo-psychedelic, progressive and experimental sensibilities, and began steadily writing and touring. After signing with Ankst, the Cardiff-based indie label, the band released their debut EP “Lianfairpwllgywgyllgoger Chwymdrobwlltysiliogoygoyocynygofod (In Space” in June 1995. Sung entirely in Welsh, the EP has been named as the longest-ever title for an EP and led to the subsequent extended play “Moog Droog” in October 1995.

Following a promotional tour across the UK, Super Furry Animals caught the attention of Creation Records' boss Alan McGee, who signed the band towards the tail end of 1995. To expand the band’s fan base Super Furry Animals began singing in English and Welsh, however came under criticism in their native Wales for doing so.

In February 1996 the group released their debut single on Creation Records, “Hometown Unicorn”, which peaked at No. 47 in the UK Singles Chart, and was name NME’s Single of the Week. A second single “God! Show Me Magic” followed in April ahead of their debut album “Fuzzy Logic” released in May 1996. The album earned signfical critical acclaim despite slow sales, peaking at No. 23 in the UK Albums Chart. After performing on the NME Brats Tour, Super Furry Animals released the singles “Hermann ♥’s Pauline” and “The International Language of Screaming” in July 1997. A month later arrived the album “Radiator”, which exceeded the success of its predecessor by reaching No. 8 on the Album Chart and earning even stronger reviews.

Super Furry Animals subsequently released the EP “Ice Hockey Hair” in 1998, which has been referred to by some critics as their finest record. Featuring the finely-tuned lyrical aesthetic of Rhys alongside progressive-beats and apt samples, the EP reached No. 12 in the charts and became a favourite amongst fans. The collection of B-sides “Out Spaced” arrived in November 1998, and marked the beginning of the band’s more experimental and ambitious phase.

Led by the single “Northern Lites”, “Guerrilla” was issued by Creation in 1999, encompassing the genres of glam and garage rock, novelty techno and indeitronica all on a single record. After an extensive promotional tour, Super Furry Animals released the acoustic album “Mwng” featuring songs entirely sung in Welsh and was commended in Parliament for keeping the Welsh language alive. The band signed with Epic Records after Creation's demise and released the albums “Rings Around the World” and “Phantom Power”, both of which charted with the UK Top 15. A remix album of “Phantom Power” entitled “Phantom Phorce” followed a year later in 2004 as well as the best-of compilation album “Songbook: The Singles, Vol. 1”.

“Love Kraft”, recorded in Spain, hit the shelves in August 2005, noted for its laid-back ambience and strong string section. Super Furry Animals subsequently moved to Rough Trade Records and released “Hey Venus!” in 2007 and “Dark/Days/Light Years” in 2009.

As the son of Ian Dury, Baxter Dury was surrounded by the hedonism of his father's difficult life yet also the musical magic that made Ian Dury such an incredible artist. Baxter was born shortly after his parents had left art college, being present for his father's various musical ventures, from Kilburn & the High Roads to Ian Dury & The Blockheads. As a child, Baxter struggled at school, being kicked out of several institutions before eventually leaving at 15, finding escape in the world of soul, jazz and funk.

Music was not an immediate pursuit for Baxter, before working in a watch shop and assisting with a number of indie films. It was not until nearing 30 that Baxter began to forge a music career, not long after his father's death in March 2000. Baxter travelled to Austin, Texas, US to begin recording songs, with the outcome being 2001's "Oscar Brown" EP.

Baxter returned with his album debut in 2003, releasing the visceral, folky, "Len Parrot's Memorial Lift," continuing this sound with his second, "Floor Show" in 2005. Bringing forth psychedelic influences into the mix, 2011's "Happy Soup" found Baxter greater success, finding critical praise with a sound reminiscent of Blur's Graham Coxon. His fourth record, "It's a Pleasure" arrived in October 2014, shortly after playing to a sell out show at London, UK's 100 Club.