Pour les fans de Jazz, Funk & Soul, Electro, et Folk & Blues.
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In an attempt to address “our torrid political climate”, the artist employed her intimate, personal style of folk-pop songwriting coupled with spellbinding jazz driven delivery to convey thought-provoking reflections on country, self and everything in between.
Madeleine has spent much of her thirty-year career on the road, perfecting the live-performing skills she cultivated as a teenager busking in Paris. “Touring has become part of my make up” says the celebrated musician, “after years on the road, not touring would be hard for my psyche at this point.” The Jazz virtuoso is ready to travel “down the soothing path" again with her aptly titled trio The Dreamers.
Trios have “great dynamic presence” explains Madeleine, “leaving just enough natural empty space around every sound so as to allow the listener to fill that with dreams”. Starting in April 2020, Madeleine Peyroux, keyboardist Andy Ezrin (David Sanborn, Chris Botti, Joe Jackson, Christopher Cross) and drummer Graham Hawthorne (David Byrne, Paul Simon, Harry Belafonte) will weave their spell on audiences across America and Europe.
The three come together to create a lavish bed for Madeleine’s sultry brand of torch song vocals, and self-styled guitar playing. True to Madeleine’s musical style, they appropriate an eclectic list of cover songs and make them their own, as they effortlessly meld romance with modernism, early blues, jazz and rock and roll with the impressionists.
Audiences can expect to hear potent tunes from the politically-charged Anthem, classics from the artist’s extensive back catalogue, originals and much-loved covers. All performed to Madeleine’s trademark high-quality, laidback style, fine-tuned by the trio over the two-year Anthem tour. “With this trio I would like to soothe and be soothed” said Peyroux, "have fun, speak truth and feel good."
The Dreamers’ tour kicks off April 14th and 15th at the Hopewell Theatre NJ and Mahaiwe PAC in Great Barrington Massachusetts on the 17th.
The three will headline at the Exit Zero Festival on the 18th, before playing at The Kate in Old Saybrook, Connecticut April 19th, Jaqua Concert Hall in Eugene, Oregon April 23rd, and Montalvo Arts Center in Saratoga, California April 25th and 26th.
Confirmed California May dates include El Rey Theatre, LA May 1st,
JaM Cellars Ballroom at Margrit Mondavi Theatre, Napa, May 2nd, and
The Coach House in San Juan Capistrano on May 3rd
Madeleine Peyroux’s voice is something really quite unique. Her Ronnie Scott’s show last year was, I think, the ideal place to catch her live, the intimacy of a club being favourable to the warmth and subtlety of her singing and arrangements. She had with her a rhythm section consisting of Jim Beard on piano and keyboard, Jon Herington on guitar, Barak Mori on double bass, and Jay Bellerose on drums, augmented by a string section led by Sylvia D’Avanzo. The band were absolutely impeccable, responsive, buoyant as Peyroux led them through some of her originals such as Don’t Wait Too Long as well as old classics by Leonard Cohen (Bird On The Wire, Dance Me To The End Of Love) and Ray Charles (Gentle On My Mind, I Can’t Stop Loving You). One of the most enjoyable things about her repertoire is the reworking and rearranging of many of these old songs - you feel like she strips them down to their very essence and then allows them to become something new and different. In an aside to the audience she quips that she has “three types of songs: love songs, blues songs, and drinking songs”. Although she’s self-deprecating, she has the audience’s full attention at all times, there’s no doubt at all that she’s a singer of rare talent, seasoned by many years of busking and leading a group of absolute top-notch jazz players. Definitely one for fans of Billie Holiday, Ray Charles, Leonard Cohen.