Interpol, Bloc Party, et Heartworms

The band are currently made up of singer and guitarist Paul Banks, drummer Sam Fogarino and lead guitarist Daniel Kessler. Unlike many of their contemporaries, they are one of the few bands who came to prominence in the great indie rock boom of the early 2000’s to keep their creative spark alive into the new decade.

This is especially impressive considering that in 2010 the band's unofficial frontman, effortlessly suave bassist Carlos Dengler, left the band after growing tired of the touring lifestyle. Many thought that they would be rudderless ship after he left, but many were wrong.

Ever since they formed, the band had been an equal collaboration between every member. They’ve never had a main songwriter and still don’t have one to this day. With Dengler gone, a crucial element of that dynamic went with him but after a long break, they were able to return to their former glory with style.

They returned with 2014’s “El Pintor”, an album that went to the top ten on the album charts of both sides of the Atlantic and restored the bands mojo in thrilling fashion, with their icy, edgy post-punk never sounding more exciting and totally unique as it does now.

With experience and ability on their side, Interpol have quite simply never been a better band than they are today. They’re at their peak, and they’re only going to get better, so join the ride now, and you will not regret it!

Having formed at the 1999 Reading Festival, lead vocalist and rhythm guitarist Kele Okereke and lead guitarist Russel Lissack had performed under the monikers Angel Range and Union before settling on Bloc Party in 2003. The pair then advertised for a bassist in the music publication NME to which Gordon Moakes responded, and subsequently drummer Matt Tong was invited to complete the lineup. The band’s debut recording was the single “The Marshals Are Dead”, which landed on Angular Recording Corporation’s “The New Cross” compilation in November 2003. Having released the subsequent single “She’s Hearing Voices” on Trash Aesthetics, lead singer Okereke gave the recording to Alex Kapranos of Franz Ferdinand and BBC Radio 1 DJ Steve Lamacq. The single was ultimately played on national radio and earned the group a substantial following in a remarkably short time.

Bloc Party’s next single was “Banquet/Staying Fat” released on Moshi Moshi, after which the group signed with Wichita Recordings in April 2004. The band’s debut full length “Silent Alarm” was issued by Wichita in February 2005 earning widespread critical acclaim. The record debuted at No. 3 on the UK Albums Chart led by the singles “So Here We Are/Positive Tension”, “Banquet”, and “Pioneers”. By August 2005 “Silent Alarm Remixed”, an album of remixed “Silent Alarm” songs by the likes of Ladtytron, M83, Four Tet, and Mogwai had been released. After which the band embarked on an 18-month world tour, which would see Bloc Party reach their considerable fan base in the U.S.

Produced by Garret “Jacknife” Lee, Bloc Party’s sophomore full-length “A Weekend in the City” was released in February 2007. Charting at No. 2 on the UK Albums Chart, and No. 12 on the Billboard 200, the album spawned the singles “The Prayer”, “I Still Remember”, and “Flux”. Once again the record earned rave reviews and was supported by their most extensive tour to date, including shows at Glastonbury, Reading and Leeds Festivals, Austin City Limits, and BBC Electric Proms. The band’s third full-length “Intimacy” arrived in August 2008 led by the singles “Mercury” and “Talons”. Like “Silent Alarm”, a remix album followed in May 2009 entitled “Intimacy Remixed”, after which Bloc Party released the single “One More Chance” and discussed their longevity.

Lead singer Okereke released the solo album “The Boxer” in June 2010, and an EP “The Hunter” in November 2011. Fans had to wait until August 2012 for the release of new Bloc Party material, which surfaced in the form of the album “Four”. Drummer Matt Tong left the band shortly after the release in 2012, as did bass player Gordon Moakes in March 2015.