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Santa Barbara Bowl

1122 N. Milpas, 93103, Santa Barbara, CA, US

www.sbbowl.com/

Capacidad: 4,569

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Las puertas abren: 18:00

Para fans de Indie y Alternativa, Rock, y Folk y Blues.

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Biografía de Young the Giant

Los Angeles quintet Young the Giant continue to brave new sonic landscapes with their wildly adventurous third album, Home of the Strange. On this new release, the band explores their expansive musicianship with boldly eclectic arrangements anchored by a keen melodic presence.

To direct the band’s continued evolution, they collaborated with producer Alex Salibian (Elle King, Mikky Ekko) and Executive Producer Jeff Bhaskar, 2016 Grammy winner for Producer of the Year. Thematically, Home Of The Strange builds from the opening track “Amerika”, a song inspired by Franz Kafka's posthumously published and unfinished novel of the same name. The poignant message and bold sonics on Home of the Strange have been met with critical acclaim, leading to an NPR interview expanding upon the immigrant experience and Rolling Stone referencing “a new-wave sheen that flatters (the band).”

Young the Giant first broke through with their 2010 self-titled debut album, which featured the RIAA-gold certified hits, "My Body" and "Cough Syrup." This was followed by the release of 2014’s Mind Over Matter, which was both a commercial and critical success and prompted The New York Times to call [Lead singer Sameer Gadhia] “one of the great contemporary rock voices.” Since then, the band has toured the world, with their most recent route featuring sold out performances at Radio City Music Hall, The Greek Theatre, and Aragon Ballroom in addition to becoming a festival mainstay.

Biografía de Cold War Kids

With a handful of studio albums to their name, Cold War Kids have over the course of their career have become an international chart success with their original slant of indie rock.

Cold War Kids, who hail from Long Beach California, are made up of Nathan Willet, on guitar and vocals, Dann Gallucci on guitar and vocals, Matt Maust on bass guitar, Joe Plummer on drums and percussion and Matthew Schwartz on keyboard and percussion. They started out as a band in 2004 and Maust dreamed up the name whilst travelling in Europe. It was in Budapest where they stumbled upon a park with old communist statues. He recalls that seeing a playground in that park and the phrase ‘Cold War Kids’ entered his mind.

The band recorded and released their first EP, “Mulberry Street” in 2005, and then two EPs the following year in the form of ‘With Our Wallets Full’ and ‘Up in Rags’. The independent label, Monarchy Music, would go on to re-release the EPs as one compilation album entitled “Up in Rags/With Our Wallets Full, the year after. It was their debut album, “Robbers & Cowards”, released on October 10th 2006 that earned the band a great deal of success with sales nearing 200,000 copies. The album received a healthy dose of critical acclaim too. They led with the single “Hang Me Up to Dry”, which gained airplay on XM Satellite Radio, BBC Radio 1 and Triple J in Australia.

Their sophomore album, “Loyalty to Loyalty” was an organic step in another direction musically; it was released on September 23rd 2008, and received positive reviews from journalists worldwide. They spent the rest of 2008 and the majority of 2009, touring the album, which even featured a tour with Death Cab for Cutie.

In March 2014, they joined forces with Stella Artois and Andy Cavatorta on a side project called “Chalice Symphony”. It consisted of using the renowned glasses as musical instruments that would feature on the song, “A Million Eyes”. Later in 2014, they released the leading single from their fifth album “Hold My Home” which was released on October 21st.

Críticas en vivo

My fellow press photographers and I were escorted through a cleared path that cut straight through to the pit at the front of the Tabernacle stage. As fans awaited the members of Young the Giant to hit the stage February 22 in downtown Atlanta, the air was thick with anticipation, humid heat, and filled with the murmurs of eager fans. When we reached the designated area for the press, my nose was greeted by the edge of the stage. It didn't register in my mind just how close I would be to the band until the lights dimmed and a wall of screams bombarded me as the members of Young the Giant stepped onto the stage. The first few notes of “Anagram” caused the screams to double in force and volume. Whenever the beat dropped, the drums pounded, or the mood of the song shifted, the lights behind the band added to the story each song was portraying. The lights mimicked the music and the audience mimicked the lights. Fists pounded the air in time to the drums and lights flashed, all simultaneously. A fast song slowly trickled into a melancholy melody and the lights lost their intensity and faded from ferocious reds and yellows into deep, almost black, blues and purples. One of my favorite songs of the night was “Firelight.” The hypnotic sounds from the guitar, mixed with lead singer Gadhia’s gentle singing, made my chest swell up with an unknown feeling I can’t quite name. Accompanied by the tranquil state of the crowd, my eyes filled with tears as I felt the music engulf my mind. Near the end of the night, Gadhia made an announcement before the next song. “This song really means a lot to us,” he told the crowd. All night I had been waiting to hear "Cough Syrup" and I knew if I didn’t hear it, I would be slightly disappointed. I was relieved when the first familiar notes rolled over the screams erupting from all corners of the hall. Gadhia's voice merged along with every other person in the audience as we all sang together. Every pause and inflection was met with long-time practice and precision. For me, it was like seeing an old friend and feeling as if nothing had changed. This was the second time during the show that my emotions ran wild with the music, bringing me tears of sheer joy, while I smiled and sang until my throat was raw. Hearing Young the Giant live gave me a deeper appreciation of the group. They put so much passion, soul, and feeling into each and every song they performed and I could feel it. The crowd wasn’t just clapping and cheering, those who knew the words, myself included, sang along to song after song. It was beautiful to see the crowd’s reaction after the first strums of the guitar and to see hundreds of bodies sway to the beat of the same drum. Being able to experience Young the Giant live and to be able to connect with the music on a whole new level is something I will never forget. The band's studio recordings pale in comparison against a live YTG show.

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Alliwilson

Cold War Kids put on one heck of a show. The band sounded absolutely perfect, very crisp, clean and solid. The vocals of lead singer Nathan Willett were strong and clear even as he switched from vocals to piano, to both, and back again. I was really surprised they sounded as good as they did, because listening to their albums you get the feel that the vocals are tampered with a lot.

I was especially eager to see the show because I heard that the guitarist from Modest Mouse, Dann Gallucci, had joined Cold War Kids.

There were quite a few people at the show, and even though the venue was packed the audience was really electric and sang and danced along with the band on the stage. There wasn't a lot of lighting or laser effects like some other shows, but I found I didn't miss it at all because the band was so exuberant and really into the performance.

One of the best moments was when they played their single Miracle Mile, which is one of my favorite of their newer songs. It was a really fast paced, exciting, adrenaline-pumping show and everyone that went had a huge blast!

Anonymous

One of the worst concerts I've been to.

Kenny's musical skills and singing ability lends him well to bedroom pop/indie, of which his 2 songs sounded good. But as for the rest of his show - that was the worst-sounding punk I’ve ever heard. Maybe a new band and sound tech would help, but the singing also won’t cut it.

Not a musician that's made his name by touring.

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