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After packing in the English degree he was working towards at Sussex university, in 1976 Billy joined up with The Bromley Contingent, a group of Sex Pistols fans who went on to have an impact of their own after it formed Siouxsie and the Banshees and Generation X.
Billy became the lead singer of Generation X and made no attempt to hide the fact that they were going to do things a bit differently from other punk acts. Whilst peers such The Clash and The Sex Pistols wrote off the 60s pop of acts like The Beatles and The Rolling Stones, Generation X embraced it as their primary influence. This pop influence allowed them to become the first punk act to be featured on Top of The Pops and the band released 3 albums before disbanding.
This freed up Billy to pack his bags, head to New York City and pursue a solo career. Fusing his punk image with a hint of glam, Billy soon began to pump out the hits with songs like ‘White Wedding’ becoming an MTV staple. Billy unintentionally found himself becoming a part of the ‘Second British Invasion of the United States’, a period where numerous British acts found great success overseas fueled by the relatively new platform of MTV.
With the release of his next album ‘Rebel Yell’, Billy’s transformation into international super star was complete. Today he still plays sold out arenas globally and is a testament to what a young punk from Middlesex can achieve.
Jefferson Starship includes members of the incredibly successful psychedelic outfit Jefferson Airplane. The incarnation centres around guitarist Paul Kantner and a concept album entitled 'Blows Against The Empire'. After this things snowballed and Jefferson Starship became a full commitment for founding members Kantner and Jack Casady.
Their first album as a unit was released in 1974 and was titled 'Dragon Fly', it was met with chart success peaking at #11 on the US Billboard and #18 in Canada. The following album 'Red Octopus' is currently the band's most successful release to date, charting at #1 on the US charts and is now certified double platinum selling. It featured a hit single, 'Miracles' which was contributed by Marty Balin, who also wrote the ballad 'Caroline' which appeared on the band's first record.
The next album 'Spitfire' was another success, charting at #3 and breaking into the UK charts at #30 however the band were disheartened at the time that it did not mirror the success of its predecessor. The band continued to tour and release material despite the ever changing line ups, most notably the loss of Grace Slick who was forced to resign at the end of the 70's due to a heavy alcohol problem. Despite all this, the next four albums went on to hold gold selling certificates and Jefferson Starship are still considered a successful psychedelic pop/rock band.
Initially a minor-league baseball player, George Thorogood decided to pursue a music career after seeing a John Paul Hammond performance in 1970. This was to be a sensible choice for the blues man, going on to release over 20 albums, selling 15 million records worldwide. Whilst his music may be dismissed by blues purists, he has become widely popular through his loud, lively hits that gained significant radio exposure in the 80s. His raucous blues channels the Chicago blues sound of the 50s, with a rampant rock & roll backed by his longterm band The Destroyers.
Through regular performances on the blues club circuit, the band were discovered by Rounder Records, releasing their eponymous debut in 1977. The band's second album, "Move It on Over" (1978) was to find them huge popularity, with a cover of Hank Williams' track receiving heavy radio airplay, boosting the album's sales which reached the American top 40 and became certified Gold.
In 1982, George Thorogood signed to major label, EMI Records, releasing their major debut in 1982, titled "Bad to the Bone." The album's title track became a massive crossover hit, appealing to a wide audience and finding extensive radio airplay and rotation on MTV. The song has gone on to be featured in several films and television productions over the years. The album went Gold and spent almost a year in the charts. This success continued for Thorogood's next three albums, all becoming certified Gold.
At the start of the following decade, Thorogood's popularity waned, although he continued to release albums and tour extensively to moderate success, drawing large crowds to his performances. In recent years, Thorogood has recorded two albums of bar blues covers, releasing "The Dirty Dozen" n 2009 and "2120 South Michigan Ave.," in 2011 as a tribute to Chess Records.
Just from the image of Billy Idol you can expect that you are going to see a highly energetic performance when you attend one of his concerts. Billy Idol is one of a few musicians who can step on stage and immediately captivate the audience by his presence. His signature bleached spiked hair, his black leather jacket, and his macho like attitude are all important in creating the atmosphere for his performance. Although his appearance is highly engrossing, his music is what wins the audience’s hearts. Billy Idol has a highly dynamic style of performance. One moment he will take the role of a crooner, gently singing emotive songs such as “Eyes Without a Face”, and the next moment he will tear off his shirt and run fiercely around stage belting out the lyrics to the rock anthem, “Rebel Yell”. Billy Idol is backed by a very talented band consisting of guitarist Steve Stevens, who has been touring with Billy Idol since 1981. Steve Stevens is a well-versed guitar player having performed with many talented musicians including Michael Jackson, when he provided guitar for his album, Bad. Billy Idol’s music is also very interesting due to his use of synthesizers in his music. The synths provide a unique atmospheric sound that is often uncommon in hard-rock music. The whole band is very energetic when performing, especially Billy Idol who is constantly inciting the crowd to act wild and join in chanting his songs.
His setlist is sure to please the crowd with him performing most of his hits including “White Wedding” and “Love and Glory”. He will please diehard fans as well by playing older songs from his days in the band, Generation X. Billy Idol has proven to be a suitable name for him, as he is surely regarded as an idol of rock and roll performances.
There’s something quite pleasing, especially if you’re a stickler to neatness, about the way that some of the remaining members of sixties psychedelic icons Jefferson Airplane kept a kind of uniformity to the naming process by calling their new group, formed in 1974, Jefferson Starship, but in actual fact, the name’s kind of misleading. It suggests that they were aiming for a sound and a style of music that was in thrall to the cosmos more than ever before, but they actually, if anything, toned down the eccentricities that had come to define them in the sixties; there were still elements of psych and progressive, sure, but they were often lost to the straightforward rock sound that they largely sought to pursue. They enjoyed commercial success throughout the seventies with a couple of platinum-selling records, but things quickly began to unravel for the group when singer Grace Slick’s alcoholism spiralled out of control. The poppier group Starship was formed out of the band’s ashes in the early eighties, but a new group, Jefferson Starship - The Next Generation formed in 1992 with a revolving lineup of former members, and they continue to tour those seventies classics to this day, playing an intimate show at London’s 100 Club back in 2010.
A huge radio hit during the 80s, George Thorogood found a large fanbase for his boogie blues sounds that were majorly influenced by great artists of times past. The nostalgic and retro vibes still run through his discography and it is in the live environment that George is able to truly let loose with the instruments. Joined onstage by some of his most trusted musicians, they clearly have a great rapport as they each come together during mind bending instrumentals and dizzying solos.
The crowds cheer and holler at George as he runs through the highlights of his long discography with a distinct and authentic blues leaning. Fifteen million albums sold translates to a large fanbase and even though Thorogood can hold the attention of some of the country's largest venues he does not change his performance style which is visibly minimal as George simply does not need redundant production values and techniques. It allows the music to sit very much at the centre of the operation and this is what the audience reacts best to. There really is no substitute for a thorough rendition of 'Bad to The Bone' or 'Gear Jamma'.