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Originally formed in 1990 under the moniker Eczema by bassist Wargod and drummer Exhurtum, once the decision to play Black Metal had been made in 1991, the name changed to Satyricon. Wargod and Exhurtum subsequently made way for Frost and Kine, and Satyr, also known as Sigurd Wongraven, joined as lead singer. After a series of early demos, Satyricon released the split demo with Enslaved entitled “The Forest Is My Throne” in 1993, followed by the full-length “Dark Medieval Times” in 1994. The album was issued by Moonfog Records and features a line-up of Satyr and Frost, a duo which would last until 1996.
The studio album “The Shadowthrone” followed in 1994, featuring more of a textured and atmospheric sound than its predecessor. Once again issued by Moonfog, the album features guitar contributions from Tomas Thormodsæter Haugen, despite not being an official member of the band. Satyricon’s third studio album “Nemesis Divina” was issued in April 1996 and marked the arrival of rhythm guitarist Kveldulv, also known as Ted Skjellum. The album was the first to earn a U.S. release and with it brought a more aggressive and darker musical style.
The EPs “Megiddo” (1997) and “Intermezzo” (1999) were subsequently released, along with the compilation album “The Box Set” in 1998. Satyricon’s fourth full-length “Rebel Extravaganza” (1999) saw the band move in a synth-orientated direction, with greater use of melodic embellishments, and became the group’s first album to chart in Norway reaching No. 32. “Volcano” followed in 2002 and proved one of the band’s best selling albums, later winning the Norwegian Grammy for Best Metal Album. The band subsequently released “Now, Diabolical” in 2006, “The Age of Nero” in 2008, and the Norwegian No. 1 album “Satyricon” in September 2013.
Formed in 1991, the band was begun by Ivar Bjørnson (guitars/keyboards) and Grutle Kjellson (bass), whilst still in their teens at 13 years and 17 years respectively. Taking their name from an Immortal track, the band have had an ever-changing lineup throughout their career, before settling with Arve “Ice Dale” Isdal (guitars), Cato Bekkevold (drums) and Herbrand Larsen (keyboards/vocals) by 2004. Whilst following in the same ilk of other black metal acts, the band have always pushed boundaries of the genre, offering ten minute long prog-inflected sagas and multi-part epics, prompting them to favor the distinction as an extreme metal band.
Following their early demo, “Yggdrasil,” in 1992, Enslaved had recorded their debut album, “Frost,” in 1994, which quickly established their presence on the black metal scene. By 1997, with “Eld,” the band had begun to widen their sound, displaying a more progressive element to their music which set them apart from other black metal acts. Their following releases were unrelenting in their aggression and dark tone, with 1998’s “Blodhemn,” 2000’s “Mardraum” and “Monumension” in 2001 all pushing the envelope of their extreme sound, forever offering experimentation and innovation within the genre.
In 2003, Enslaved released their milestone effort, “Below the Lights,” which was a heady brew of black metal, prog and dark psychedelia, coming to the forefront of the scene with this challenging release. “Isa” in 2004 again established them as one of the most important acts on the scene at the time, continuing to lay waste to audiences with their bludgeoning live shows.
Critical acclaim followed them throughout the decade, with the release of “Ruun” in 2006. With 2008’s “Vertebrae,” they were joined by Evil Joe Baresi, who had previously produced albums from Tool and Queens of the Stone Age. Another strong album release, Enslaved continued to enjoy popularity as the top band in extreme metal. The album garnered accolades as being the ‘album of the year,’ prompting tours across North America supporting Opeth. “Axiom Ethica Odini” followed in 2010, still finding legions of fans of their uncompromising music. Signing to Nuclear Blast, their 12th record, “RIITIIR,” was released in 2012, followed by extensive touring. Rumours of a new album for 2015 soon surfaced, titled “In Times,” with Enslaved still carrying the torch for extreme metal.
Plenty of metal bands talk the talk; Dimmu Borgir, though, most definitely walk the walk. They’ve spent over twenty years now delighting and terrifying their audiences in equal measure, and as you’d expect from a band with albums called, amongst other things, Godless Savage Garden, Puritanical Euphoric Misanthropia and Death Cult Armageddon, the word ‘compromise’ has never been in their vocabulary. Whilst their sound has evolved over the years, they’ve usually focused on symphonic black metal, blending the typical ear-shredding volume and unrelenting heaviness of black metal in general with an atmosphere and ambience that provides a counterbalance to the morbid lyrical themes with which they concern themselves. The release of their most recent record, Abrahadabra, in 2010 saw a first for the Norwegian trio; they performed live with a full symphony orchestra in their native Oslo. They took a more conventional Dimmu Borgir show on the road, too, with their most recent UK tour, in late 2011, billed - with tongue perhaps in cheek - as An Evening with Dimmu Borgir. Giving fans a choice of three classic records - For All Tid, Stormblast and Enthrone Darkness Triumphant - they played two sets in intimate venues; one of those records in its entirety, and then a greatest hits selection. A new Borgir record is now overdue - expect news of both that and further UK dates soon, after a recent return to the festival circuit.
Amazing show! Again they didn't disappointed me ! The age of Nero forever. They play 1 hour and 45 min in full house . Always great experience to see them live.
Great supporting set from Enslaved, loved hearing songs from the new album live. Really want them to do their own tour now so they have more time and budget to showcase what they can do.