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During her free time in high school, Trina began writing rhymes until she caught the eye of Miami rapper Trick Daddy who offered the rapper a guest spot on his single “Nann Nigga” in 1998. The song became Trick Daddy’s lead single from his sophomore album “www.thug.com”, which reached No. 62 on the Billboard Hot 100, and exposed Trina to huge audience. Due to the success Trina signed with Slip-n-Slide Records who issued her debut album “Da Baddest Bitch” in March 2001. Although the rapper failed to maintain creative control the album debuted at No. 33 on the Billboard 200, and stayed there for 29 weeks.
Working alongside Missy Elliot for her sophomore album, Trina had complete creative control over the release, which was released in August 2002. “Diamond Princess” debuted at No. 14 on the Billboard 200 and spawned the singles “Told Y’all” featuring Rick Ross, “No Panties”, and “B R Right” featuring Ludacris. The same year Trina launched her own label Diva Enterprises, which later became DP Entertainment, and signed the nine-year-old rapper Lil Brianna.
Trina’s third full-length album “Glamorest Life” was issued in October 2005 and out-performed both its predecessors, debuting at No. 11 on the Billboard 200. The album was led by the single “Don’t Trip” featuring Lil Wayne, and aided by the single “Here We Go” featuring Kelly Roland. After signing with EMI in 2007, Trina released two mixtapes “Rockstarr Royalty” and “Baddest Chick 2: Reloaded” ahead of her fourth full-length “Still da Baddest” in 2008. Reaching No. 6 on the Billboard 200, and No. 1 on the Top R&B/Hip-Hop chart, the album sold 47,000 in its first week.
Led by the single “That’s My Attitude”, Trina’s fifth studio album “Amazin’” was released in May 2010, and later spawned the hits “Million Dollar Girl”, “White Girl”, and “Always”. In 2011 Trina released the mixtape “Diamonds Are Forever”, which featured the singles “Ghetto”, “Waist So Skinny”, and “Can I”. The single “Beam” arrived in July 2012 featuring GunPlay, as well as the single “Bad Bitch” featuring Lolo Monroe and Shawnna.
Born on 18 November, 1977, Jackson was musical from a young age. His career actually began in high school in the 90s when he was spotted as a rapper an subsequently signed by the DJ Clue to his record label Desert Storm, which led to Fabolous being secured a deal with heavyweights Elektra records. Fabolous has since signed with giants Atlantic Records and, in present day, is signed with the label Def Jam whilst simultaneously founding his own record label, Street Family.
Fabolous’ first album was released in 2001 and was named ‘Ghetto Fabolous’ in an attempt at clever word-play. Despite the name, the album spawned a number of big hits including singles ‘Can’t Deny it’ and ‘Young’n (Holla Back)’. This provided the platform for Fabolous’ career to take off. His next album was 2003’s ‘Sweet Dreams’ and produced two top ten singles, ‘Can’t Let You Go’ and ‘Into You’. Besides these, Fabolous has released a whole stream of successful singles and has collaborated with a number of high profile artists such as Lil’ Mo, Christina Milian, Trey Songz and Hollywood legend turned part time rapper Jamie Foxx. Fabolous has a handful of albums under various record labels to date and has enjoyed enormous success from them all.
I was disappointed because she went on at 1:15 in the morning I paid $100 for me and greet and VIP I was not satisfied at all took my best friend with me for her birthday gift and I didn't even meet her
It really brought me back to high school to see Fabolous in person, and I couldn’t have been any happier. The venue was FLUXX in San Diego, California, a small nightclub, and it was amazing being close enough to Fabolous to touch him.
The rest of the club seemed to appreciate being in such an intimate setting with Fabolous as well, as the house was rocking and the alcohol was flowing all night long. Fabolous played all of the classics for us fans, including Can’t Let You Go, Make Me Better, Throw It in the Bag, and Air. The atmosphere was electric, and it was some of the most fun I’ve had dancing, ever.
Fabolous was great about getting the crowd involved and the crowd sang along with all of the hooks, which is always fun. Since I hadn’t really listened to his music in the last couple of years, there was a lot of material that was new to me (and some that was actually new, as he’s got an album coming out) and I’m sure that if I see him in 10 years, those songs will be getting the classic treatment then. I highly recommend seeing Fabolous in person for a great time.