Concert in your area for Pop, Rock, and Funk & Soul.
Born on 14 June, 1961, Boy George was originally born George Alan O'Dowd. He comes from a relatively poor background, and lived in various squats around London whilst young, trying to make a name for himself. Boy George is famous for his androgynous appearance, amongst other things. His extremely unique and now iconic style earned him attention when he was young and was what launched his career. He was discovered by the music executive Malcolm McLaren, and originally asked to perform with the already established music group Bow Wow Wow.
Over his career, Boy George has worked with a number of bands: during the 80s he was the lead singer of the band Culture Club, who won Grammys and Brit Awards for their music. He also founded and performed with the group Jesus Loves You during the period 1989–1992. He is well known for his soulful voice and sings a range of different genres, from new wave and disco to soul, pop and soft rock. However, his music style is most commonly referred to as blue-eyed soul, a genre of music influenced by reggae and rhythm and blues.
In the 1990s and 2000s, Boy George went solo and his music contained more glam influences, such as the likes of David Bowie and Iggy Pop. He will always be remembered however, for being a key member of the 1970s and 80s New Romantic music movement, that occurred in England.
Hailing from England, Culture Club consists of frontman/vocalist Boy George, bassist Mikey Craig, guitarist/keyboardist Roy Hay, and drummer Jon Moss. The group were a smashing success in their homeland, but perhaps had an even stronger impact in the United States. The group had 10 singles that made it in to the US Top 40s chart and were considered emblematic of 80s pop in the states. This notion was only crystalized through the incessant exposure they received through MTV. Their video “It’s a Miracle was nominated for two “MTV Video Music Awards”.
The band not only experienced incredible commercial recognition they were highly acclaimed in the critical circles as well . In 1984 the group won Best New Artist at the Grammys, the Brit Award for Best British Group and they picked up Best British Single for “Karma Chameleon”.
Before the formation of Culture Club, Boy George would regularly attend the Blitz Club (a venue frequented by glam rock band Bow Wow Wow). Boy George would sometimes accompany Bow Wow Wow under the moniker Lieutenant Lush. Once this stint ended he formed a band of his own called the Culture Club. The group’s name derived from the idiosyncratic and disparate cultural status of each member. Boy George is an Irish transvestite, Craig is black, Hay is an Anglo-Saxon, and Moss is of Jewish descent. However the band’s diversity proved to be one of their biggest assets. They melded calypso, disco, balladry, reggae and synth-pop into a cohesive and entirely captivating sound. Virgin Records saw the groups potential and became the band’s distributor in the UK while Epic Records handled their album releases in the United States.
“Do You Want to Hurt Me” became the band’s first major hit driving up to the very top of the UK and US charts. It juxtaposed dirge like balladry with uptempo reggae dub and was an undeniably original and accessible piece of music. This hit was soon followed by two additional chart climbing singles “Time (Clock of the Heart) and “I’ll Tumble 4 Ya”. These 3 singles made Culture Club the first group since the Beatles to have 3 Top Ten hits in America from a debut album.
The band followed up their debut with an equally popular sophomore release “Colour by Numbers”. It reached number 1 on the UK charts and Number 2 on the US Charts. The album contained “Karma Chameleon” the group’s biggest hit to date as well as one of the most definitive pop songs of the 80s. The album has been recognized as one of the best albums of the 80s by Rolling Stone magazine and has also been included in the book “10001 Albums You Must Hear Before You Die”.
The band saw a decrease in popularity after the release of their 1984 album “Waking Up with the House on Fire”. While this album houses excellent material its commercial and critical success was pale in comparison to the massive impact their first two albums made. Culture Club’s popularity continued to dwindle as the members experienced internal problems within the band and extreme tension place on them from the record label. Their 1986 release “From Luxury to Heartache” proved to be the band’s last album before calling it quits; however, the group did reunite and put out the album “Don’t Mind If I Do” 13 years later. The group has continued to record and tour since this formation, but have done so inconsistently. The band still continues to be a massive influence on up and coming musicians and have inspired highly inventive and likeminded artists such as Antony Hegarty of Antony & The Johnsons.
Boy George is an artist in the truest extent. He has no qualms about expressing himself and has gained severe attention both negative and positive for doing so. Some people may brush him off as a gimmick others may recognize his genius, but you have to hand it to him that he can put on a hell of a show.
Boy George has reached astronomical success with his classic “Karma Chameleon” but the entirety of his credibility is not tied to this hit. His creative strength and his pop sensibility is reflected throughout his career. Boy George is anything but a chameleon. The color of his sound may be constantly changing, but he refuses to blend into the background. His fashion senses are daring, flamboyant and more often than not pay off. His stage presence is almost reason alone to see his performance. His shows combine wondrous visuals and irresistible music into an experience that can not be ignored.
Boy George plays upbeat dance tracks such as “I’ll Tumble 4 You” and “Time (Clock of the Heart), but also shows that he can do serious material as well. Such songs as “Do You Really Want to Hurt Me” is a perfect example of his openly sensitive and melancholic side. He has even displayed different sides of himself through collaborations. A few years back he recorded the heartbreaking song “You Are My Sister” with the brilliant classical pop singer songwriter “Antony”. Boy George’s career has proven to be a significant influence on the work of underground and complex musicians like the as mentioned Antony and Rufus Wainwright, but has spoke to thousands of pop stars as well.
Boy George tours with a knock out band that captures the essence of his sound and all the nuances of style form his spanning career. He tours with at least three back up singers, a horn section, a multi instrumentalist, the basic guitar, bass, drum setup, and even a lap steel player. He has it all covered. His new material is on par with the brilliance of his early career. At his show you will hear country ballads, reggae jams and his signature blue eyed soul. Boy George is truly an entertainer at heart and an artist by nature. Whether he is spinning records at a night club or pouring his soul out on stage the audience walks away nothing less than satisfied.
Back in 2002, Culture Club's Royal Albert Hall performance for the 20th Anniversary Reunion Concert was something really special to experience. Their triple platinum 10 million copy selling second album 'Colour by Numbers' is the album, like most other fans I'm sure, that really got me into their music.
The music is something that I grew up with and loved, with the early 90s pop vibe becoming a popular soundtrack to my life. I had high expectations for the reunion, and was extremely excited to finally get to see them live. When Boy George walked out on stage, I was pleased to see that they had kept the essence of their dress sense and costume, and looked very similar to the pop stars of 20 years ago, if somewhat aged.
The energy that they brought was youthful, and at points it was easy to forget that their glory days had passed. Some of the vocals were a little shaky, but I must say, 'Do you really want to hurt me' was fantastic with the entire venue singing along and getting really involved. The band really encouraged this, holding out microphones and giving us gaps in the melody to fill in.
Everyone at the concert appeared to be thoroughly enjoying the show. After the band initially disbanded, many people felt disappointed that they hadn't seen the infamous act, and now that there is a chance to revisit the 80s and early 90s with their next reunion tour, I really think that it is a once in a lifetime opportunity that probably won't arise again. You may hear negative reviews about their vocals, but I thought that they did remarkably well, and sounded extremely similar to the tracks from yesteryear. The performance was outstanding, and I don't believe that one member of that audience went home disappointed that night.