Formed as a high school band in 1997 to play Nirvana and Carcass covers at parties, Karnivool, led by singer Ian Kenny, later with a revamped line-up began writing original material. In 1999 with a line-up consisting of Kenny on vocals, Andrew Goddard on lead guitar, Andrew Brown on bass, and Brett McKenzie on drums, the band released their debut eponymously-titled EP. A follow-up EP “Persona” was released in 2001 and Karnivool subsequently won the Western Australia State Final of the National Campus Band Competition.
Karnivool’s debut full-length was written entirely by Goddard and marked a change of personnel with Steve Judd coming in on drums, Jon Stockman in on bass, and Mark Hosking joined as rhythm guitarist. The album was originally released independently in 2005 however the band later signed with Bieler Bros. Records who reissued the album in 2007. Karnivool supported the album with an extensive worldwide tour and later covered the Gotye song “The Only Way” in contribution to the compilation album “Mixed Blood”.
Ahead of the band’s sophomore album “Sound Awake”, Karnivool released the lead single “Set Fire to the Hive”, which peaked at No. 11 on the AIR Top 20 Singles chart. Aided by the single, the album released May 9, 2009, debuted at No. 2 on the AIR Album Chart. Karnivool embarked on another worldwide tour in support, including shows in the U.S., New Zealand, the UK and India. The band took a break after the tour allowing singer Ian Kenny to work with his other band Birds of Tokyo, however returned in 2011.
Karnivool’s third full-length “Asymmetry” was issued by Density/Cymatic Records in 2013 and topped the Australian Albums Chart. The album spawned the singles “The Refusal” and the six-minute long “We Are”, and is noted for being the band’s most complex and contemplative album to date.
By and large, I think it’s safe to say that heavy metal bands who take heavy metal seriously have missed the whole point of the genre by a country mile. Ronnie James Dio didn’t pose with a sword and shield singing about killing dragons for new metal bands to dress entirely in black and do nothing but grimace for entire concerts, after all! Heavy metal is an inherently ridiculous genre, what else can one say about a genre that began with bored geeks writing songs about the devil and/or their Dungeons and Dragons campaigns?
It takes a very special band to be able to pull off serious metal and in the form of Tesseract; we have a group whose music could make them stand alongside System Of A Down, Faith No More and Behemoth as heavy bands you don’t laugh at or even with. The band began with its guitarist Alec “Acle” Kahney, who wanted to branch out into more experimental solo work while still performing with his band Mikaw Barish. As Kahney put more and more of his time and effort into his solo work he started posting clips of his guitar playing on internet forums like Sevenstring.org and taking the feedback he’d get into account.
A few others were composing, producing and releasing music completely independently as well, and the resulting genre, a mix of progressive metal, ambient and electronica, was called Djent. Named after the onomatopoeic word for the palm muted guitar riffs that they played, this meant that Kahney was at the forefront of an entire movement. As interest in what he was creating grew and grew, he started to turn his demos and riffs into full songs and put together a full band that came together in 2007. He christened the resulting band Tesseract and their first release came the same year, a demo CD containing parts of what would later make up their debut album.
Since then the band has released two critically acclaimed studio albums, 2011’s “One” and 2013’s “Altered State”, which sealed their reputation as not just one of the most exciting new bands in British metal but also one of the most artistically accomplished. How many other bands have included a 27 minute song split into six suites on their debut album? How many have then followed that up with a second album that’s a 51 minute continuous piece of music divided into four sections? Very, very few, that’s who. What’s more is that it’s working. That second album? The 51 minute continuous piece of music? Charted on the Billboard 200 albums chart.
The band have toured with everyone from Periphery to The Devin Townsend Project and in 2014, sold out London’s 1’145 capacity Scala with ease. There is a bright future ahead for these guys and they’ve achieved the success they’ve had through sheer integrity and without a hint of compromise. They are the future of heavy music, and that is very good news indeed.
The hugely popular Aussie prog-metallers Karnivool certainly pull a large crowd, selling out stadiums the world over, and paving the way for others in non-mainstream bands to do the same- as guitarist Mark Hosking put it at a show in Sydney, "This is the time for independent bands, my friends!". Karnivool's particular brand driving drumbeats, staccato guitar riffs and clean vocals from frontman Ian Kenney is perfect when witnessed as one of many in a huge arena, singing along to every word. Kenney's awkwardly charismatic stage presence is epitomised by the earnestly theatrical belting out of his lyrics, grabbing his head in his hands or gesturing wildly to really make the audience feel every word he's singing. The level of musicianship of the rest of the band- on bass, drums and guitar- is just as impressive, resulting in note-perfect harmonies blended with heavy, thundering drum beats. The standout tracks at the Sydney show last year were the ear-devastating 'Themata', and the immense soaring hit of their finale, 'New Day'. They don't skimp on putting on an incredible light show either, which dramatised their whole headlining set magnificently.
Karnivool have come a long way from their local bar Nirvana cover-band days, and even bigger things seem to be on the horizon. An epic live experience!
There are few bands that have as much control over their music as TesseracT do. This English progressive metal band not only produce, mix and master all of their tracks by themselves, but they are also responsible for helping to found the entire sub-genre that their music falls into. This control over their sound means that TesseracT holds themselves to unbelievably high standards and that their music is full of integrity.
The clean vocals featured on TesseracT songs are unusual for the genre, but it is one of the many elements that really really works for the band and sets them apart from the crowd. TesseracT isn’t content to go with the status quo: they know what they want to achieve with their music and they go out there and make it happen.
It’s awesome to see the elements of a TesseracT song build layer by layer during a live gig. There is some real musical mastery going on within their songs, and the trio of tracks within “Of Matter” sound truly epic in a live setting. Their “Concealing Fate” EP is some of my favourite work from the band, and it is majestic when performed live. The members of TesseracT work incredibly well together and are so worth seeing live.