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Johnny Marr, born John Martin Maher was raised in Manchester, England by his Irish-emigrant parents. With initial aspirations of being a professional football player, Maher started his first band, the Paris Velentinos, aged 13 with school friends, followed by the bands Sister Ray and White Dice. In 1980 the talented guitarist enrolled at Wythenshawe College, dissolved the White Dice band and formed a funk band titled Freak Party.
At the recommendation of previous White Dice singer Rob Allman, Maher approached Steven Morrissey, a punk singer with the band the Nosebleeds, who along with friend Andy Rourke and drummer Mike Joyce, formed what has been described as the most influential and important band to emerge out of the 1980s. The Smiths signed to Rough Trade Records and issued their debut single “Hand in Glove” in May 1983. The highly anticipated eponymously-titled debut album shot to No. 2 in the UK Albums chart and consolidated the considerable fan base.
The Smiths’ subsequent albums include the politically charged No. 1 album “Meat is Murder” in 1985, Spin magazine’s ‘Greatest Album Ever Made’ “The Queen Is Dead” in 1986, “The World Won’t Listen”, “Louder Than Bombs” and “Strangeways, Here We Come” all in 1987, and their last release “Rank” in 1988.
Post-Smiths, Maher featured as a significant session player for artists and bands like the Pet Shop Boys, Bryan Ferry, Talking Heads and Beck. On top of this he became an officiall member of the band the Pretenders in late 1987, formed the group Electronic with New Order’s Bernard Summer and formed Johnny Marr and the Healers in the year 2000. The band formed of Zak Starkey (son of Ringo Starr), Lee Spenser and Alonzo Bevan released their debut “Boomslang” in 2003.
In 2006 Maher became a full member of the American indie and alternative rock group Modest Mouse for the band’s 2007 release “We Were Dead Before the Ship Even Sank” and toured extensively in support of the album. A couple of years later in 2008 Maher imparted some of his skill and experienced wisdom on English indie band the Cribs. The collaboration led to Maher performing with the band across their UK and international dates and recorded the album “Ignore the Ignorant” with the Cribs in 2009.
After contributing to the soundtracks of films Inception and The Amazing Spider-Man 2, Maher released his debut solo album “The Messenger” on February 25, 2013, followed-by his second solo studio album “Playland” in 2014.
As the son of Ian Dury, Baxter Dury was surrounded by the hedonism of his father's difficult life yet also the musical magic that made Ian Dury such an incredible artist. Baxter was born shortly after his parents had left art college, being present for his father's various musical ventures, from Kilburn & the High Roads to Ian Dury & The Blockheads. As a child, Baxter struggled at school, being kicked out of several institutions before eventually leaving at 15, finding escape in the world of soul, jazz and funk.
Music was not an immediate pursuit for Baxter, before working in a watch shop and assisting with a number of indie films. It was not until nearing 30 that Baxter began to forge a music career, not long after his father's death in March 2000. Baxter travelled to Austin, Texas, US to begin recording songs, with the outcome being 2001's "Oscar Brown" EP.
Baxter returned with his album debut in 2003, releasing the visceral, folky, "Len Parrot's Memorial Lift," continuing this sound with his second, "Floor Show" in 2005. Bringing forth psychedelic influences into the mix, 2011's "Happy Soup" found Baxter greater success, finding critical praise with a sound reminiscent of Blur's Graham Coxon. His fourth record, "It's a Pleasure" arrived in October 2014, shortly after playing to a sell out show at London, UK's 100 Club.
Johnny Marr for me is one of the best musicians I've ever heard.
I fell in love with his music since the very early beggining. From my early 10s I dreamt about watching him playing the guitar in a concert. Almost 30 years after, at Lollapalloza Chile, in Santiago, the dream came true! It was a really really hot sunny day at Parque O' Higgins, and I waited patiently for an hour just in the front row, because I needed to be as close as possible...
All started with "The Right Thing Right," then he played one of the four Smiths' songs "Stop Me If You Think That You've Heard This One Before"... and I saw everybody singing and jumping around... "Upstarts," "Sun and moon," "Generate! Generate!"... for all who love the guitar Go Johnny!
So he played "Bigmouth Strikes Again" and the crowd realised why they were there! "Getting Away With It" from Electronic and "I Fought The Law" from Crickets were just amazing, such a great surprise! The last two songs were Smiths': "How Soon Is Now?" and one of my favorites: "There Is A Light That Never Goes Out". At this time I though: "Oh, God, I can't believe this!". Every single person there singing together...
The next week he played at Lollapallooza Brasil, in Sao Paulo, and I felt I needed to watch him again... so I went there!
The perfect setlist of the week before was the same but... something unexpected happened! I saw him playing "How Soon Is Now?" with Andy Rourke! So hard to describe the feeling of seeing a "half Smiths reunion" few meters from my eyes and my ears!
Two of the best days of my life, undoubtedly!
Ian Dury was a gifted lyricist, an enigmatic performer and when he sadly passed in 2000, he was described as ‘one of few true originals of the English music scene’. It’s clear when watching him live that his son Baxter Dury has inherited many of his dad’s talents.
Similar to his father, the focus of the show is on Baxter’s voice and if you listen closely to his faint yet dominant wisp you’ll be rewarded with some truly thought provoking lyrics. Baxter is an unhinged force on stage. With the slightly uneasy feel of watching a man on the edge of breakdown, the crowd daren’t look away. Baxter stumbles round the stage occasionally erupting with screams of anguish, a force of loose energy barley contained by the confines of the stage whilst all the while, his band play on, hammering down a steady post-punk rhythm and providing a stark contrast to the unpredictability of Baxter.
If you are prepared for a deeply unpredictable show, riddled with a dark humour and an engaging energy, make sure you check out Baxter Dury.