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K-12 proved a sensation upon its release, entering the Billboard 200 at #3 with further debuts at #1 on the Alternative album chart, and #1 on the Soundtrack album chart. Hailed by Forbes as “a perfect conceptual album in the streaming age,” K-12 also serves as a soundtrack companion to an eerily enchanting musical film written, directed, and starring Martinez. K-12 the film debuted as the 6th highest grossing film in the US on the day of its September 3, 2019 theatrical release, with one-night-only screenings in over 425 cinemas in 32 countries.
Martinez truly set forth on what has proven a remarkable creative journey with her 2015 debut album, CRY BABY. CRY BABY took on a stunning second life in 2020 when the longtime fan-favorite “Play Date“ exploded into a true alt-pop sensation with millions of user-generated videos across TikTok. Now boasting over 1 billion worldwide streams along with 2x RIAA Platinum certification, “Play Date” propelled CRY BABY back onto the upper half of the Billboard 200 more than five years after its initial release. Named to Forbes’ “30 Under 30 2021” thanks in part to the renewed success of “Play Date,” Martinez has brought her idiosyncratic vision to an array of diverse enterprises, including last year’s instantly sold-out collaboration with footwear brand Koi. In addition to her myriad musical and visual efforts, Martinez has also shown herself to be an unforgettable live performer via sold-out headline shows and festival performances around the planet.
Melanie Martinez amassed her following after an appearance on the popular reality TV show The Voice. Unlike many of its competitors, The Voice is very much about showcasing live ability and talent and it is this reason Melanie got so far in the competition.
Her smooth tones and delectable vocal seemed to be a breath of fresh air on the reality format and was instantly likened to contemporaries including Ellie Goulding, Marina and the Diamonds and Charli XCX. The latest single 'Doll House' shows real promise as Melanie has not dismissed any of her uniqueness and therefore the fanbase has remained loyal. Her live show is a showcase of what is to come and it all has startling potential and excitement. There are twangy melodies on 'Carousel' and the ability to let her vocal shine on the balladic 'Bittersweet Tragedy'. The reaction to 'Doll House' proves Martinez also has the support behind which is one of the most difficult things to attain when starting out on the live circuit.