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As the daughter of soul singer Donny Hathaway, Lalah was destined to follow in her mother’s footsteps, through her versatile, dynamic and technically strong voice. She arrived on the music scene in 1990, with her self-titled debut album, impressing listeners right from the start. The release was a commercial success, gaining a top ten single with “Heaven Knows, which peaked at number three on the Billboard R&B charts, with the album itself peaking at number 191 on the Billboard Hot 200. This was followed by 1994’s “A Moment,” which again drew positive critical acclaim, with the album debuting at number 34 on the R&B charts.
After this initial success, Hathaway took a break from recording music, not returning until 1999, where she collaborated with legendary jazzman, Joe Sample for the GRP album, “The Song Lives On.” Into the new millennium, Hathaway released a steady stream of records, with 2004’s “Outrun the Sky” (Sanctuary Records), “Self Portrait” (2008, Stax) and “Where It All Begins” (2011, Stax). These releases continued to prompt praise from critics for Hathaway’s talent and diversity in her music, collaborating with the likes of Mike City, Rahsaan Patterson, Rex Rudest and Dre & Vidal. “Self Portrait” and “Where It All Begins” were Hathaway’s most successful releases, peaking at number 63 and number 32 respectively, in the Billboard Hot 200 Chart.
Widely regarded as on of the finest vocalists of her generation, Hathaway made the perfect choice for her collaboration with R&B/Soul outfit, Snarky Puppy. Working together on the song, “Something” in 2013, the partnership went on to secure Hathaway with her first Grammy Award, receiving the award for ‘Best R&B Performance’ at the 2014 awards.
Glasper grew up in Houston, Texas, US and was raised in a musical family. His mother was a professional jazz and blues singer, and her music deeply impacted Glasper’s passion for music. Glasper first started to play the piano in church and it was in church where he would begin to develop his sound. Glasper would later attend the New School for Jazz and Contemporary Music in New York City where he developed his techniques as a jazz performer. While attending the New School, Glasper met the neo-soul singer Bilal and began collaborating with him regularly. As Glasper’s music started to gain recognition in the community he soon ended up collaborating with recognizable artists like Q-Tip, Kanye West, J Dilla, Erykah Badu, Talib Kweli, and Jay-Z.
In 2004 Glasper released his debut album “Mood”. The album featured some of Glasper’s original music as well as renditions of jazz standards such as Herbie Hancock’s “Maiden Voyage”. In 2005 Glasper released his major label debut “Canvas” through Blue Note Records. The album featured Bilal on vocals and all original music except for a cover of Herbie Hancock’s song “Riot”. The album was presented in a progressive jazz and post-bop format, which incorporated complex time signatures and chord progressions. The album also contains the smooth sounds of the Fender Rhodes piano, which has a bell like quality.
In 2006 Glasper released his third album “In My Element”, which was a commercial success reaching the No. 9 position on the Billboard’s US Top Jazz Albums. The album showed Glasper performing another cover of “Maiden Voyage”, but this time it segued into a cover of Radiohead’s “Everything in Its Right Place”. In 2009 Glasper released the album “Double-Booked”, which consisted of one half of the album being performed by an acoustic piano trio and the other half of the album being performed by a band that used electric instruments. The album contained a diverse range of songs that were presented in a traditional jazz format as well as songs that were presented with funk elements. The album contained a cover of Thelonious Monk’s song “Think of One” and also contained guest appearances by Mos Def and Bilal. The album also received a Grammy Award nomination for Best Urban/Alternative Performance for the song “All Matter”.
In 2012 Glasper took a step back from traditional jazz music and released the album “Black Radio”, which combined jazz elements with hip-hop, soul, and R&B. The album contained guest appearances from many soul and hip-hop artists like Lalah Hathaway, Lupe Fiasco, and Mos Def. The album also contained mostly original music, but also a diverse selection of cover songs such as David Bowie’s “Letter to Hermione” and Nirvana’s “Smells Like Teen Spirit”. The album reached the No. 1 position on Billboard’s US Top Jazz Albums chart and the No. 15 position on the US Billboard 200 chart. The album also won a Grammy Award for Best R&B Album and received a Grammy nomination for the song “Gonna Be Alright (F.T.B.)”.
In 2013 Glasper released the album “Black Radio 2”, which followed in the same musical format as “Black Radio”. The album also featured many guest appearances by artists like Antony Hamilton, Norah Jones, Snoop Dogg, and Common. “Black Radio 2” also did well on the charts reaching the No. 1 position on Billboard’s US Top Jazz Albums chart. Robert Glasper is well regarded for his live performances and has played in the bands The Robert Glasper Trio, which is an acoustic jazz trio, and The Robert Glasper Experiment, which is an electronic act. Glasper has performed many headlining shows and has also played notable jazz festivals as well as other large music festivals such as Bonnaroo.
Lalah Hathaway is a vocal beast! Even if you don't know her sings you need to experience her voice live.
I've seen her about 4 times at Jazz Café. You will sing along, you will laugh (she's very funny!), you will dream away to wherever she takes you.
Love me some Lalah!
Robert Glasper is a multi-instrumentalist Jazz composer with one of the most low-key, but extensive rap sheet in the scene. His Jazz-Hip Hop fusions have featured on the work of Jay Z, Kanye West, Mos Def, Q Tip, Erykah Badu and plenty more. As a contributor he's lent his fresh hip hop inflected brand of contemporary jazz, as a performer and record maker he truly shines. Very much of the J Dilla school of beat makers, his Grammy award winning 2012 album Black Radio featured a whose who of Neo-Soul and Hip Hop artists culminating in one of the first truly original jazz records of the decade, and perhaps in the decades preceding it. Watching Glasper on stage, accompanied by long time collaborators and band members, one gets lost in the down tempo beats of his signature style. He'll often take over multiple instrumental roles depending on the track being performed, showing off an impressive array of talent most of us yearn for, all while he and other vocalists get intimate with a vocoder or two, whisking you off to some techno-jazz dreamland. These are relaxed, achingly cool affairs, the kind of show that requires a cocktail in your hand, but has no problem with your new Air Jordans.