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The pair have made some of the most forward-thinking and innovative drone-based music of the 20th/21st century, pushing the genre to more expansive and also more popular territories. Influenced by Earth and early Melvins, they are widely regarded as one of the loudest bands on the planet, incorporating everything from extreme black metal, dark ambient music to noise rock in creating their unique sound. Through heavily detuned guitars, slow tempos and powerful distortion, they create huge soundscapes and darkly eerie atmospheres that are drenched in feedback.
Initially begun as an Earth tribute act, the duo began writing their own music, before releasing their first recordings, "The Grimmrobe Demos" (1998) and "øø Void" (2000) on Hydra Head Records subsidiary, Double H Noise Industries. These initial recordings were predominantly made just using guitars, but with 2002's "Flight of the Behemoth," they utilised an element of percussion to expand their sound. They continued this exploration with their next two releases, "White1" (2003) and "White2" (2004).
With "Black One," released in 2005, they began incorporating electronics into the mix and went on to push their music to new territories through the collaborative album, "Altar," that was made alongside Japanese doom-metal band, Boris. As well as working with Boris, they have also collaborated with noise pioneer, Nurse With Wound, with 2011's "The Iron Soul of Nothing." In their 2009 album, "Monoliths and Dimensions," they featured a Vietnamese woman's choir alongside french horns. Again building upon their musical repertoire, they collaborated with singer-songwriter, Scott Walker in 2014, on the album, "Soused," which has received widespread critical acclaim.
Feeling alone in a room full of people is common among those with certain social conditions, but it’s not something usually associated with live music. Even when attending a concert solo, there is an obvious connection between performer and spectator. People don’t go to shows alone unless that connection exists. Last night was an exception to that rule. Shrouded in black, hooded robes, the members of Sunn O))) not only rejected any semblance of community, but they also drown the room in layers upon layers of fog, until every person in the audience was cut off from one another. Loneliness gave way to a slight case of claustrophobia as I hung on to the sounds of jazz that rang through a venue I could no longer see. Shadows in the shape of human beings could barely be made out through the thickening atmosphere of ominous clouds swirling in pale green light. When the sounds of guitars cracked like thunder through the amp stacks, loneliness and claustrophobia were immediately forgotten; everything that existed above the most basic and primal instincts was obliterated. - See more at: http://ilistensoyoudonthaveto.com/2016/05/03/sunn-o-gothic-theatre-05-02-16/#sthash.4YkYkQ34.dpuf