Steve Earle, Steve Earle & the Dukes, and Connor Kennedy

Earle was born in Hampton, Virginia, United States in the 50s, but spent the majority of his childhood in San Antonio, Texas. He learned how to play the guitar at age 11 and by the time he reached 14 he was placing in talent contests. Earle was rebellious as a child and naturally evaded school to focus on music. He ran away from home at 14, dropped out of school at 16 and not long after moved in with his uncle in Texas, who was only a couple of years older and was also a musician. When Earle was 19 he pursued a music career in Nashville and supported himself through various odd jobs. He eventually acquired the position as a staff songwriter for Sunbury Dunbar, but grew bored with Nashville and rerooted to Texas where he formed a group called The Dukes.

Earle returned to Nashville in the 80s as a ghostwriter and had some of his work performed by national legends such as Johnny Lee, Zella Lehr and Carl Perkins. In 1982 he emerged as a solo artist, releasing the studio EP “Pink & Black”. His music teeters on the line of Springsteen style roots rock and traditional outlaw country revivalism. Although his recordings very rarely peered into the mainstream, he was venerated as a cult hero. Earle’s sound took inspiration from country (Merle Haggard, Hank Williams) folk iconoclasts (Bob Dylan, Neil Young) and most notably his personal idol, Townes Van Zandt (whom he named his son, Justin Townes Earl after).

His studio debut album “Guitar Town” was issued in 1986 to critical and commercial acclaim. It followed in line with the trend of rockabilly, which was popular during that time, but it also acted as a strong reinforcement of Townes unique style. Earle put two more albums out in the 80s “Exit o” (1987) and “Copperhead Road” (1988). The latter of the album’s was ostensibly the first of it’s kind to mix the genres of heavy metal and bluegrass. The album’s track “Johnny Come Lately” is a standout on the album in large respects due to the Pogues’ memorable contribution. Earle’s 4th studio album “The Hard Way” came out in 1990 and marked his last release through MCA. By this time Earle had fallen deep into substance abuse and put his life as a recording artist on hold.

He emerged with a vengeful comeback in 1995, putting out his highly anticipated follow up “Train a Comin’”. The album featured Peter Rowan, Norman Blake, Roy Huskey, and Emmylou Harris and earned him a Grammy nomination in the category “Best Contemporary Folk”. This phase saw Earle in full swing and welcomed a frequent and consistent output of albums spanning from the mid 1990s to the early 2000s: “I Feel Alright” (1996), “El Corazon” (1997), “Transcendental Blues” (2000), “Jerusalem” (2002), and “The Revolution Starts Now” (2004).

After a three year break between studio albums he released his 11th studio album “The Revolution Start’s Now”, which brought him his 2nd consecutive Grammy award. His 2009 follow up “Townes” featured experimental virtuoso guitarist Tom Morello and peaked to No. 19 on the US Billboard 200. Acclaimed songwriter, musician, and sound engineer T-Bone Burnett produced Earle’s next album “I’ll Never Get out of This World Alive”. The title shares it’s name with a Hank Williams‘ song as well as with Earle’s first novel. Earle released his 15th studio album “The Low Highway” on 16 April 2013 through the record label New West.