Initially known as the Pharmaceutical Bandits, the band first came together in 1995, featuring Matt Embree (lead vocals/guitar), Franz J. Worth (bass), Chris Tsagakis (drums), Noah Gaffey (saxophone) and Rich Balling (trombone). A debut record, “Those Damn Bandits,” appeared in 1997, before the band changed their name to RX Bandits a year later.
Signing to Drive-Thru Records, they released a new album under their new moniker, “Halfway Between Here & There,” a more accomplished effort. Gaining support slots with Goldfinger, New Found Glory and Reel Big Fish, RX Bandits were able to raise their profile, before 2001’s “Progress” arrived.
The band’s lineup changed dramatically after the album, with Worth, Gaffney and Balling leaving, replaced by Steve Choi (keyboards), Joseph Troy (bass), Chris Sheets (trombone) and Steve Borth (saxophone), alongside a changing musical direction. Choosing a harder-hitting, progressive sound incorporating downbeat reggae with visceral post-hardcore, 2003’s “Resignation” became the first album to break into the Billboard 200.
Following a nationwide headline tour, their first album for new label MDB appeared in 2006, titled “…And the Battle Begun.” “Mandala” arrived in 2009, before RX Bandits announced their decision to go on an extended hiatus in 2011.
However, a year later, the band turned their decision around, embarking on a tour of Brazil and releasing a new EP in 2013, titled “The Resignation,” a collection of covers. After a North American tour, Chris Sheets left the band, leaving them as a four piece without any horns, changing their sound for their tenth release, “Gemini, Her Majesty” in 2014.
RX Bandits blew my mind the second they walked out on the stage, immediately lashing out at the audience with the incredibly abstract fast, chaotic guitar riff at the beginning of the verbose, "Hope Is a Butterfly, No Net Its Captor, She Beats Her Wings and Softly Sings of Summer Scent and Children's Laughter... ".
I had never heard music like this, so nonsensical and conventional at the same time. It was great, and the crowd around me was obviously just as infatuated as I was, as once the song really started up, the drunken yells of happy fans were all you could really hear.
The song was hard hitting and fast for about 4 minutes, then the band broke into some sort of abstract, prog-rock, psychedelic trip, with flowing, mathematical, insect sounding guitar riffs stacking on top of each other. It was really beautiful sounding, yet was totally bizarre. RX Bandits were completely embracing nonsense, and it was working.
Their strange, math-rock influenced guitar was the perfect touch for their ska-punk sound. Everything flowed so perfectly and the energy in the room was so tense and fun, and I even got to scratch that itch in me that craves complexity in music.