The band was conceptualised by the rapper Alexander Delgado in the neighbourhood that he group up in, Alamar. An urban area of Havana, Alamar is recognised as the birthplace of Cuban hip-hop, so to honour that reputation, Delgado gathered a posse of rappers who hailed from the same neighbourhood to make some tracks together. The projected was christened Gente De Zona, or “People From The Neighbourhood”, but it took a while before the project grew into anything resembling a band. Originally, Delgado formed the group as a straight hip-hop duo with fellow rapper Michel Delgado (no relation) and the two of them would occasionally perform at house party’s and clubs together.
However, Michel left in 2005, and Delgado responded by recruiting another rapper in the form of Yosdany "Jacob Forever" Carmenates and a producer named Fernando "Nando Pro" Otero. With the addition of Carmenates and Otero, he also set about rethinking the musical style of the band. Ditching straight hip-hop in favour of Reggaeton infused with the traditional Cuban music of their childhood, the move paid off almost instantaneously. The band scored a big hit with their 2005 debut single “Pa' la Gente de Mi Zona”, and self-released their debut album in the same year. Ever since then they’ve become sensations in their native Cuba, with two further hit albums in the form of 2010’s “A Full” and 2012’s “Oro: Lo Nuevo y Lo Mejor” and even their own fragrance to boot.
Their momentum was so great that even the departure of Carmenates and Otero couldn’t stop them. With rapper Randy Malcolm and producer Frank Palacios, Gente De Zona finally broke America in 2014, featuring on Enrique Iglesia’s single “Bailando” which saw the group sitting pretty at number 12 on the Billboard Hot 100. They could become one of the biggest Reggaeton acts in the world in the very near future, and for that, they come highly recommended.
Cuban reggaeton band Gente de Zona have rose to acclaim in the last few years following on from successful collaborations with international Latino royalty including Pitbull and Enrique Inglesias. The boys have always had a loyal following yet now they are playing bigger stages and appear to be taking the transition all within their stride.
The setup of two frontmen and a DJ works well as Frank Palacios keeps everything in time with accompanying instrumentalists whilst Alexander Delgado and Randy Malcom Martinez are free to run riot across the stage. They really pump up the audience and make sure everybody is ready to party whilst punctuating their set with upbeat, reggae inspired latino pop hits. The vibes are easy and the energy is fantastic so the whole crowd gets involved under the command of Randy and Alexander. They build great connection and run through a long set and the smattering of applause and cheers gifted at the finale are very much deserved.