Influenced by the soul and rap of his relative’s music collections growing up, Oddisee made his first mark on the music industry as an underground producer. Having intended to study visual arts at the Art Institute of Philadelphia, Khalifa soon altered his life plan and began crafting beats and melodies. The fruit of this initial effort can be seen on the track “Musik Lounge” which found its way on to DJ Jazzy Jeff’s 2002 record “Magnificent”. The producer went on to join the Low Budget crew alongside MCs and producers Kenn Starr, Cy Young, and Kev Brown. Reluctant to rest on his production laurels, Oddisee made his rapping debut on the album “Foot in the Door”, mixed by Jazzy Jeff in 2006.
The rapper and producer subsequently contributed to songs by SoulStice, Marco Polo, and J-Live before issuing his sophomore album “101” in 2008. The full-lengths “Mental Liberation”, “New Money”, and “In the Ruff” followed in 2009, during which time Oddisee began his series of Odd-season mixtapes beginning with “Odd Summer”. The rapper’s 2010 studio album “Travelling Man” marked his arrival at Mello Music Group, who also issued Oddisee’s 2012 album “People Hear What They See”. The album earned strong reviews from the critical press, who highlighted Oddisee’s introspective songwriting approach combined with orchestrated soul accompaniment. The album “The Beauty in All” and “Tangible Dream” arrived in 2013, followed by the 2014 album “March on Washington” as a part of Diamond District. With lyrics providing a sound social commentary of the current climate and infectious beats inviting movement, Oddisse released his 11th studio album “The Good Fight” in 2015.
Given that they’ve already landed themselves quite the day job - they’ve served as the house band for Jimmy Fallon since 2009, following him to The Tonight Show earlier this year - it’s a wonder that The Roots manage to get anything else done, but they’ve continued to record and tour to an impressive degree over the past few years; in fact, drummer and de facto leader ?uestlove even managed to turn out a superb autobiography last year, too. On stage, Roots shows are a lavish affair; musically, they’re one of the most diverse, experimental groups currently in operation in hip hop, and that’s reflected in a diffuse range of instrumentation; in addition to the typical band setup, F. Knuckles provides additional percussion and the aptly-nicknamed Tuba Gooding, Jr. plays the sousaphone - for the uninitiated, think ‘giant tuba’ and you’re just about there. More than twenty five years since their formation, Black Thought’s relentless energy in delivering vocals has barely faded; with a flow and style of delivery that’s at once lively and laid-back, he sonically channels a young Guru of Gang Starr, whilst touching upon a broad range of subjects lyrically. At the core of the band’s live success, though, is ?uestlove; he’s one of the tightest drummers around, and his beat-keeping is one of the most prominent facets in making The Roots such an engaging live proposition.
Amir Mohamed el Khalifa, better known by his stage name Oddisee is one of the worst effortlessly cool producers and artists to appear on the US circuit in quite some time. Affiliated with both Low Budget Crew and Diamond District he is no stranger to the stage yet his headline tours allow him true creative control.
There are no unnecessary production techniques used this evening, instead Oddisee stands confidently and delivers his personal take on hip hop. Lifting tracks from studio albums, mixtapes and EPs it is an evening of variation yet Amir's skilled flow pulls all the parts together and offers consistency. He keeps the fans in mind throughout the night thanking them as they attempt to rap along during the more well known singles and thanking for the huge applauses he receives at the closure of every track. An intriguing artist yet one who has an immeasurable potential is definitely worth investigating further.