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Groove Armada, named after a 1970s disco, released four singles in their first year as a signed collective with songs such as “At the River” which featured a sample of “Old Cape Cod” originally by Patti Page, which would go on to be one of Groove Armada’s most well known tracks. They released their debut album “Northern Star” on March 9th 1998.
However, it wasn’t until they released their sophomore album “Vertigo” on May 24th 1999 that they earned themselves a silver record. It was also around this time that they released “At the River” as a single in its own right. “Vertigo” featured some of the duo’s biggest hits such as “I See You Baby”, which would go on to be used in Renault Megane and Ford Fiesta car commercials and then the song “”If Everybody Looked the Same” being used in the films, Gone in 60 Seconds and Miss Congeniality. The album went on to peak at number 23 in the UK Albums Chart too.
Their third album “Goodbye Country (Hello Nightclub)” released on September 10th 2001 shot up the charts to number 5 in the UK and number 8 in Australia. This album also features “Superstylin” which was a huge international hit for the duo, and earned the band a Grammy nomination.
The duo released a greatest hits album called “The Best of Groove Armada” in 2004, which ended their list of released with Pepper Records, before releasing “Soundboy Rock” on May 4th 2007, which was Groove Armada’s self proclaimed best album yet. The album after that, “Black Light” released on January 29th 2010, cited influences from Fleetwood Mac and Gary Numan.
Price was born on 19 September 1965 in Walsall, Staffordshire, England to parents of Jamaican and Scottish ancestry; however, he was later put up for adoption and spent most of his childhood amongst various foster parents and child-care homes. Prior to his music career Goldie was involved in several breakdance crews and also took up visual art.
His occupation as a graphic designer led to his acquaintance with Dennis McFarlane and Mark Clair, who comprised the drum and bass act, 4hero. He was commissioned by this group as an artistic consultant for their record label, Reinforced. While working for Reinforced he developed his skills as a producer and in 1992 made one of his 1st musical contributions, providing vocals on the Ajax Project track “Rufige”.
Later this year he was releasing material on his own, initially under the moniker Rufige Cru. Through this name he put out the recordings “Killa Muffin b/w Krisp Biscuit” and the “Dark Rider EP”. He adopted the moniker Metalheadz for the release of his single “Terminator”, but eventually swapped it for the alias Goldie. The track “Terminator” featured the technical innovation of “time stretching”, a technique characterized for extending the duration of a musical segment without compromising it’s pitch.
Goldie’s revolutionary recording processes were carried over onto his 1995 studio debut “Timeless”. This release included extensive use of jungle bass lines, breakbeats, and soul style vocals. The melding of these styles culminated in a complex but rewarding listen. “Timeless” was released as a double cd tallying in at 105 minutes and featured the 25 minute electronic symphonic title track as it’s centerpiece. The album received glowing reviews upon it’s release and has since been certified as a masterpiece within the d’n’b and jungle genre. It’s commercial outlook was also highly positive as it reached no. 7 on the UK Album charts and has since achieved gold status.
Proceeding his studio debut, Goldie issued a horde of singles and remixes. By 1998 he put out his heavily anticipated follow up “Saturnz Return”. This release was a moderate commercial success peaking at no. 15 on the UK Album charts and was strongly revered by select publications such as Pitchfork. This release was also a double disc set and opened with an hour long orchestral drum n bass piece. It was followed by several tracks, which showcased guest artists ranging from Noel Gallagher (Oasis), Anne Dudley (Art of Noise), David Bowie, Malcolm McLaren, Trevor Horn, and KRS-One.
A year later Goldie released his hour spanning EP “Rising Sun” and while it was deemed with positive reviews it failed to chart. Goldie shifted his attention to acting in the 2000s, appearing in movies such as the James Bond film “The World Is Not Enough” and the crime comedy “Snatch”. Goldie also worked on the film “Sine Tempus” and provided it’s soundtrack. After a 10 year wait Goldie released his 3rd studio album “Malice In Wonderland” under the alias, Rufige Kru and followed it up in 2009 with “Memoirs of an Afterlife”.
House music isn’t a genre that’s necessarily popularly associated with the United States - for one reason or another, it’s often seen as a much more European sound - but whilst Armand van Helden’s Dutch roots certainly provide him with a name that carried plenty of credibility in that respect, he’s actually one of America’s premier DJs, emerging from Boston in the early nineties. He had a slew of chart hits throughout that decade, including ‘Cha Cha’ in 1996, but he didn’t really break through on the record front until 1998, with his seminal 2 Future 4 U becoming a key release in the genre’s history. Today, he continues to be revered, and has continued to find ways to sneak into the mainstream; along with A-Trak, he forms part of the duo Duck Sauce, who went to number three in 2010 in the UK with the novelty hit ‘Barbra Streisand’. His live sets, too, remain at the forefront of the house genre; referencing a career that’s now been ongoing for almost twenty-five years, he mixes classics of the style with new cuts and inventive remixes to ensure that he’s still a staple of the clubs in both the UK and overseas.
With almost twenty years in the business now firmly under their belts, Groove Armada are now officially veterans in the UK electronic scene, to be filed alongside the likes of Fatboy Slim and Massive Attack as part of an old guard that continue to surprise and impress and the years roll by. They’ve often threatened a genuine mainstream crossover, without every quite managing it - number eight as is high a singles chart position as they’ve managed, with 2007’s superb ‘Song 4 Mutya’ - but with the likes of ‘I See You Baby’, ‘Superstylin’ and ‘Get Down’, they’ve certainly cemented a place in the British public consciousness. Their glowing reputation is down in no small part to their thrilling live shows; on their most recent UK jaunt, they performed in front of a giant screen broadcasting complex visuals to the crowd, whilst reworking the classics with a live band and bringing a host of guest vocalists into the fray. Stylistically, you’d struggle to find a more diverse gig than a Groove Armada one; they range from downbeat trip hop and electro to their signature big beat cuts and tracks that touch upon the niche likes of dub, reggae and disco. The inclusion of a full live band is key to properly translating the London duo’s vision; with a new EP, Pork Soda, due this year, we can only hope there’ll be a tour to go with it.
Hi iam for sure ez number one fan I have been following him for 20 or more year s all over the country raves club s were ever it doesn’t matter how many times each time is class he has come so so far an is for sure the world s best dj his talent is outstanding love to you ez see you soon x x x
If you've arrived at Goldie through any of his long list of creative exploits, one thing you'll instantly recognise is that award-winning smile, the rows of gleaming gold grills that are unique to Goldie's singular persona. He was a graffiti artist in the early days of the UK street art scene, a breakdancer and actor, I saw him in Bond film 'The World Is Not Enough' before I ever heard his signature Drum and Bass and Jungle innovations. He was a key proponent of the early scene, and probably it's most recognisable face. Going strong since his early days featuring on tracks in 1991-2, his body of work is an anthology of the classic Uk dance sound of the 90's, and ranks among the godfathers of the Drum and Bass and Jungle scenes. His live shows are, as expected, high energy gatherings. You come to a Goldie set with one thing in mind, full-bodied dance. His sets lend you to letting go and melting into the crowd as you stare wide-eyed up at the booth and find yourself looking for a roll of tinfoil to wrap around your teeth, trying to keep up with Goldie's own bright-eyed display of dance prestige.