Concert in your area for R&B and Funk & Soul.
Find out more about .
From the age of three, singing has always been an important part of Charlie Wilson's life, training his vocal chords as part of the church choir before eventually forming The Gap Band with his two brothers. The group would go on to have a successful career for over four decades, with their infectious brand of upbeat funk being a constant feature of the American music scene.
Wilson began a solo career alongside The Gap Band, with his 2000 record, "Bridging The Gap" reaching number 30 in the US R&B charts, featuring guest appearances from Snoop Dogg and Nate Dogg. This hit album was followed by Wilson signing with the Jive record company for the release of "Charlie, Last Name Wilson" in 2005 achieving greater success, reaching number 10 in the US charts.
The album went on to be certified Gold.
Wilson has enjoyed chart success ever since, featuring on a number of collaborative efforts with Hip Hop artists as well as his own recordings. His 2009 release, "Uncle Charlie" as Snoop Dogg affectionately refers to him as, went to number two in the US charts, with Wilson reaching the top ten again with 2013's "Love Charlie." Wilson has featured alongside artists including Snoop Dogg, Justin Timberlake, Kanye West, Lupe Fiasco and U.G.K.
Charlie Wilson has received a number of accolades in his solo career, including seven Grammy Awards nominations and a Soul Train Icon Award in 2009. He has been highly influential in the R&B and Hip-Hop world, influencing the likes of Kanye West, Justin Timberlake and R. Kelly.
Hailing from the Bronx, New York, US, Evelyn "Champagne" King came from a showbiz family, with her uncle being the actor and singer Avon Long and father, Erik King, a popular vocalist in New York City, US. King moved to Philadelphia, US, with her mother in her teens, with the pair getting jobs as cleaning women, whilst still sharing a passion for singing and music.
King was to gain her break into the musical world through a fortunate coincidence. King and her mother were working at Philadelphia International Records' studio, performing their cleaning duties, when producer T. Life overheard King singing from the washroom. Following this powerful voice, he found 16-year old King to be the source, quickly signing the young artist with a production deal and a contract with RCA.
WIth Life as producer, the pair got to work on her first recordings, with the result being "Dancin' Dancin' Dancin'." By 1977, they had enough material for an album, releasing "Smooth Talk" that same year. The single "Shame" was to be her career-launching single, gaining widespread airplay as well as breaking into the Top Ten of the R&B and Pop charts. The second single, "I Don't Know If It's Right" in 1978 found further success, selling Gold and reaching number seven in the R&B charts. The album went on to be a huge success, with this production partnership continuing for two more albums, "T. Life: Music Box" and "Call on Me."
In the early 1980s, King left Life for the producer Kashif, soon finding two number one hits with the singles, "I'm in Love" and "Love Come Down." Her albums continued to place highly in the charts, with 1982's "Get Loose" selling double-Platinum, garnering attention from EMI Records, who signed King in 1988. King worked with Leon F. Sylvers III on "Flirt" that same year, which reached number 20 in the R&B charts. "The Girl Next Door" followed in 1989 but failed to live up to the same commercial success.
In 1995, she signed with British label, Expansion, releasing "I'll Keep a Light On" which featured the musicians Larry Graham, Jeff Lorber and Paul Jackson Jr. King then took a long break from recording music, not returning to the studio until 2007, releasing "Open Book." Between these years a Greatest Hits album was released in 2001, celebrating King's musical efforts. Following her 2007 album, King released two singles since, with 2008's "The Dance" and 2011's "Everybody," featuring Miguel Migs.
Seeing Charlie Wilson live was such a treat for me and my husband. I'd been listening to his music for years and jumped at the opportunity to see his concert.
He's a joy to see and gets the crowd really involved by asking questions right at the start and introducing his music.He was dressed in a really snazzy white suit. He didn't talk that long and jumped right into the show. I was excited to see two ladies walk on stage in white costumes waving these magnificent sheer wings to the music. It was stunning. They were collapsible and when they stood with their arms straight up, they were like stretched out fans glistening in the lights.His rich voice filled the room and the crowd was silent for a time, then they started singing the chorus with him.
Charlie really got into the music. My favorites were "Turn Off The Lights" and "Life of the Party".He's quite the performer. He plays his new stuff and some of the great older stuff as well. I was worried I might not get to hear some of the classics, so I was really excited. He encouraged the fans to sing along and it was so enjoyable.
Disco sensation of the late 70s and early 80s Evelyn King is a respected figure in the worlds of R & B, neo-soul and disco. Now well into her 50s, Evelyn may recognise the era of disco is far behind yet she is also aware there is a large following for this music for those searching for nostalgia and those interested in the re-invigorated interest in the scene of the 70s and 80s. With prolific artists including Sister Sledge and Chaka Khan all breaking out, many overlook the sensational King yet if you see her perform live she is not as easily forgotten.
The vocal and stage presence are equally impressive as Evelyn slinks around the space in between her many musicians as she absorbs the good vibes at the same time as her crowd. Demonstrating why she was able to stand out in the first place, King shows off her soulful vocal that is retaining well as she is ageing. Understanding the importance of looking after your instrument, the likes of 'Love Come Down' and 'Shame' sound as perfect as when they were first released all those years ago and the audience offer suitably rapturous applause for this likeable leading lady.
The first time I heard of the Mary Jane Girls was when I played Grand Theft Auto Vice City, so when I found out they were playing in the same city I was in I knew I had to check them out. Admittedly the band has made some personnel changes over the year, and some lights burn out in this world, but the Mary Jane Girls are still shining brightly. The 80’s R’n’B and Disco group walked on to the stage with a full band behind them like they were ready and excited to get things going, and the standing crowd produced a huddled buzz.
Protégées of the singer Rick James the band played their biggest tracks interspersed between newer and the less well-known brilliantly, I may as well have known all the songs given their distinctive groove and opportunities to sing along. ‘All Night Long’ came on and things got a little wild only to be continued with the effortlessly groovy ‘Boys’ which were offset with the ballad-driven ‘On The Inside’ where the audience could noticeably be seen swaying.
The Mary Jane Girls finished on their biggest commercial hit song ‘In My House’ which was the perfect way to end a delightfully uplifting gig.