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John William Weller (everyone called him Paul from a young age, even his parents) is proof that teenage pop stars are not entirely a modern phenomenon. You can talk about your Lorde’s and your Rihanna’s (who both made their debut on the Billboard Hot 100 at the same age, 17), but in The Jam, Weller was touring with The Clash by the time he was 19 and was nothing short of a youth cult leader by the time he was 24. Even at the time, few people had seen anything like the level of devotion that fans of The Jam displayed since the heyday of The Beatles. That kind of love can only really come from people seeing one of their own on stage, singing songs inspired and fuelled by the same experiences the audience were going through at the time.
Looking back on it, it seems quite strange for a man as famously contrary as Weller is to be related to as strongly as he was. However, apart from the whole successful rock band thing, Weller’s life had been pretty par for the course up until then. Growing up with a musical diet of The Beatles, The Who and The Small Faces, music was the one thing that Weller cared about from the age of eleven, the age that he took up playing the guitar. By 1972 he’d formed the first incarnation of The Jam with his mates Steve Brooks and Dave Waller on lead and rhythm guitar respectively, with Weller playing bass.
Weller’s father was a taxi driver by trade, but he became the bands manager and booked them a series of shows in working men’s clubs, which they played with Rick Buckler on the drums. The classic Jam line-up was beginning to take shape, and when Waller left the band, Bruce Foxton took his place playing guitar and the stage was finally set. The band gigged all over London and Surrey until 1976, when Brookes left as well, so Weller and Foxton swapped instruments and The Jam that would become familiar to millions over the next seven years was finally ready. While not quite a punk rock band, The Jam came to prominence at around the same time as bands like the Sex Pistols and The Damned, and by 1977, just before the Summer of Punk reared its head, they were signed to Polydor Records.
As far as The Jam goes, the rest is history. They became something of a youth movement, far and away one of the biggest bands in the country. However, come 1982 Weller became frustrated with how creatively constricting it was to be in The Jam and pulled the plug on the whole thing when he was a mere 24 years old. Not wasting a moment, The Jam played their final concert in December 1982 and Weller’s follow up band, The Style Council, were formed in early 1983 alongside keyboard player Mick Talbot. The band were moderately succesful in their way, having a series of top ten hits with the likes of “Shout To The Top” and “Speak Like A Child”, and the band even gave Weller some small success in the states, something which had eluded him in The Jam, but it didn’t even rival Weller’s previous success, and by 1989, The Council’s record company refused to release their fifth album “Modernism: A New Decade”.
Disillusioned, Weller split The Council and found himself without a band or label for the first time since he was 17 years old. Many others would have retired but Weller is nothing if not tenacious, and after taking most of 1990 off, he began touring again in 1991 with his band The Paul Weller Movement. These concerts, mostly taking place in the clubs that he’d long since outgrown previously, were highly acclaimed, leading to a newfound surge in interest and some serious hype around his debut solo album. “Paul Weller” was released in 1992 on Freedom High, his own record label, and was such a success that it got him a new deal with Go! Disks, who re-released the album and saw it hit the top ten of the U.K album charts. Weller had his commercial and creative mojo back, and ever since then he’s been a true national treasure, releasing acclaimed album after acclaimed album and still commanding respect from multiple generations of music fans. He’s earned the respect of any music fan multiple times over, and still comes highly recommended.
As one of the pioneers of indie / punk / mod rock, Paul Weller is still rocking into his fifties. Weller was the frontman for two very influential indie rock bands, The Jam and The Style Council. Paul Weller started his solo career in 1992 with the release of his self titled album, "Paul Weller". He has released a total of 11 solo albums to go along with his catalog of recordings from the two previously mentioned bands. Weller has been nicknamed The Mod Father for his influential role in the style of mod rock.
Weller still tours regularly and is not showing signs of slowing down. His recent shows have been divided into acoustic and electric sets. The majority of the setlist consists of Weller's solo material, which is some of the best music he has created. The highlights though are when he reaches into the archives of The Jam and The Style Council and delivers some mod classics. He is also known to sprinkle in a surprise cover here and there. Weller isn't very talkative on stage, he lets the music do the talking. And it's for that very reason Paul Weller remains one of the must see's for mod rock fans.
Miles Kane is a performer who embodies a passion for his music, a passion for the art of Rock and Roll, and a passion for live performance to fans.
I first saw Miles when he was supporting Beady Eye on their first tour of Different Gear Still Speeding. It was the Troxy in East London, and going into the gig I knew a bit from the Rascals, liked The Last Shadow Puppets and was reasonably optimistic he would put on a decent show.
He blew everyone there away. It was a unique reaction, I have never seen anything like it before or since. The usual greeting for a support act awaited him when he came on stage. Intrigue and apathy in equal measure. That lasted no more then two songs, and by the time Inhaler dropped (the only song that had Radio 1 airtime behind it) the crowd were raucous, bouncy and staring at each other in amazed disbelief that this gem had gone unearthed.
To finish with a Hey Bulldog cover was genius, and despite an impressive set from Beady Eye, I can guarantee that no one spoke about Liam Gallagher that night. I have seen Miles in various locations, indoor gigs in Brixton and the Troxy, as well as The Olympic Park and twice at Finsbury. He is not fazed by the occasion whether performing to 2000 or 50000, he brings energy, fashion sense, a fantastic voice and an innovative set list, most recently including an interlude with Sympathy For The Devil.
Each time I have seen him, whether as a headliner or support act, whether warming up a small crowd for Liam Gallagher and Andy Bell, or a sunny park full for Kasabian, Stone Roses or his old mates in Arctic Monkeys he brings a swagger, and when I leave I know I am not the only one still bouncing to Miles' set list.
If you are a fan of good old fashioned Rock and Roll, have the likes of Arctic Monkeys, Oasis or Kasabian on your iPod, or remember enjoying the tunes of The Last Shadow Puppets; or perhaps are wondering why music died in 1969 then Miles Kane is definitely a man you should get out and see.
Personal highlights are Come Closer, Give Up, First Of My Kind, Kingcrawler, Inhaler and Taking Over, and on youtube are collaborations with Arctic Monkeys on stage for 505, and with Paul Weller. If Weller is the Mod Father then Miles is his illegitimate Mod Son.